The course explores the inter-relationships, influences and boundaries, real or imagined, of both the scene as evoked by the theatre set, and the exterior world. The course will examine the social, political and artistic influences on the people that shape both worlds using paintings, set designs, costume designs, play texts, documents and the people themselves. The course will draw upon material from Special Collections/The Hunterian/Private Collections/Archives and working Theatres. 

1 x 2hr seminar and 1 x 1hr workshop as scheduled on MyCampus. This is one of the Honours options in Theatre Studies and may not run every year. The options that are running this session are available on MyCampus.

None

None

Essay (3,500 words) - 70%

Oral Presentation (10 minutes) - 10%

Set Exercise (1,500 words) - 20%

Reassessments are normally available for all courses, except those which contribute to the Honours classification. For non-Honours courses, students are offered reassessment in all or any of the components of assessment if the satisfactory (threshold) grade for the overall course is not achieved at the first attempt. This is normally grade D3 for undergraduate students and grade C3 for postgraduate students. Exceptionally it may not be possible to offer reassessment of some coursework items, in which case the mark achieved at the first attempt will be counted towards the final course grade. Any such exceptions for this course are described below. 

The course aims to:

■ provide students with knowledge of set design and scenography in the history of theatre and visual arts.

■ explore the role of the set designer and scenic artist in relation to political, cultural and social milieus in the history of theatre production, introducing students to the wider social, economic and political history specific to both theatre and art historical practices.  

■ develop students' knowledge of historical instances of collaboration between scenic artists and theatre practitioners through critical analysis and engagement with a variety of source types.

■ provide students with the opportunity to develop object-based enquiry methods by interacting with theatre and technical art history collections.

■ provide students with creative industry experience via engagement with professional theatre, design, and scenic art practitioners.

By the end of this course students will be able to:

■ critically evaluate primary and secondary sources on scenography and the history of stage design and production.

■ evaluate material culture applicable to both theatre studies and art history.

■ identify and assess key events, people and trends that impact the development of theatre and visual art.

■ present this knowledge and understanding in oral and written form according to established scholarly conventions and appropriate to an honours level.

■ apply a holistic approach to the study of their discipline.

Students must submit at least 75% by weight of the components (including examinations) of the course's summative assessment.