Dr Brianna Robertson-Kirkland

  • Affiliate (School of Critical Studies)

email: Brianna.Robertson-Kirkland@glasgow.ac.uk

R401, Level 4, 14 University Gardens, School of Culture & Creative Arts, Glasgow

Import to contacts

ORCID iDhttps://orcid.org/0000-0003-1482-3721

Research interests

Brianna E. Robertson-Kirkland is a Lecturer in Historical Musicology at The Royal Conservatoire of Scotland and is the Lead Research Associate for the AHRC-funded project 'The Edited Collection of Allan Ramsay' at the University of Glasgow. She has been a Visiting Fellow at Chawton House (2017) and the University of Sydney (2017 & 2019) with her most recent visit culminating in several practice-based, collaborative performances between Scotland’s Concerto Caledonia and Melbourne’s Evergreen Ensemble. Her research has fed into the historically led album Curious Caledonians (2020). Recent publications include Venanzio Rauzzini and the Birth of a New Style in English Singing Scandalous Lessons (2022) and Allan Ramsay’s The Tea Table Miscellany co-edited with Professor Murray Pittock and due to be published with Edinburgh University Press in 2023. She is on the board of the British Society of Eighteenth-century Studies and is the Music editor for BSECS Criticks and teh Honorary Secretary for the Society for Theatre Researc. She established the successful ECR mentoring scheme for the Women's Studies Group 1558-1837. 

Publications

List by: Type | Date

Jump to: 2023 | 2022 | 2021 | 2020 | 2019 | 2018 | 2017 | 2015 | 2014 | 2013 | 2011
Number of items: 28.

2023

Tasler, N. , Dale, V. H. M. , Breslin, M. , Charters, M., Docherty, F. T. , Karlsson-Brown, P. S. , Karadaglic, D., Reid, D. and Robertson-Kirkland, B. (2023) Risks, reflection, rewards, and resistance: academic perspectives on creative pedagogies for active learning. Journal of Perspectives in Applied Academic Practice, 11(3), pp. 80-96. (doi: 10.56433/jpaap.v11i3.585)

Lamont, C. and Robertson-Kirkland, B. (2023) The Poetry and Drama of Allan Ramsay. Series: Scotnotes (44). Association for Scottish Literatures: Glasgow. ISBN 9781906841553

2022

Robertson-Kirkland, B. E. (2022) Music from home: Symonds sheet music collection and the Scots in Australia. Journal of the Sydney Society for Scottish History, 20, pp. 33-53.

Robertson-Kirkland, B. E. (2022) Venanzio Rauzzini and the Birth of a New Style in English Singing: Scandalous Lessons. Series: Routledge studies in eighteenth-century cultures and societies. Routledge. ISBN 9780367443375 (doi: 10.4324/9781003009160)

Robertson-Kirkland, B. (2022) Radical Object: Programme of the evenings musical performances at Warrawang. History Workshop,

Editors:, , Pittock, M. , Brown, R. , McGuinness, D. , Newman, S., Szechi, D., Lamont, C. , Robertson-Kirkland, B. E. and Caudle, J. J. (2022) Collected Works of Allan Ramsay. [Website]

2021

Robertson-Kirkland, B. E. (2021) WWA reflection: building writing momentum: a year of digital conferences. ABO: Interactive Journal for Women in the Arts, 1640-1830, 11(2), 14.

Robertson-Kirkland, B. (2021) ‘Damage to trees’: Performing Ramsay’s The Gentle Shepherd at Haddington Grammar School: A theory and its scholarly impact. Theatre Notebook, 75(3), pp. 173-186.

Robertson-Kirkland, B. E. , Tip, L. M., Boyd, S. F. and Marshall, E. J. (2021) Accessibility, interdisciplinarity and practice: the benefits and challenges of hosting an online, interdisciplinary conference on singing. Journal of Music, Health and Wellbeing,

2020

Robertson-Kirkland, B. E. (2020) Mapping changes to the songs in The Gentle Shepherd, 1725-1788. Studies in Scottish Literature, 46(2), pp. 103-126.

2019

Robertson-Kirkland, B. E. (2019) Performance potential of Stationers’ Hall collections. Brio, 56(2), pp. 77-86.

Sheridan, N., Dale, V. , Breslin, M. , Charters, M., Docherty, F. , Karadaglic, D., Karlsson-Brown, P. S. , Reid, D. and Robertson-Kirkland, B. (2019) Creative Approaches to Academic Practice Leading to the Scholarship of Teaching and Learning. Alt Annual Conference 2019, Edinburgh, UK, 3-5 Sept 2019.

Sheridan, N., Dale, V. , Breslin, M. , Charters, M., Docherty, F. , Karadaglic, D., Karlsson-Brown, P. , Reid, D. and Robertson-Kirkland, B. (2019) Students as Scholars: Academic Development and the Scholarship of Teaching and Learning. Enhancing Student Learning Through Innovative Scholarship Conference, Edinburgh, UK, 18-19 Jul 2019.

Sheridan, N., Dale, V. , Breslin, M. , Charters, M., Docherty, F. , Karadaglic, D., Karlsson-Brown, P. , Reid, D. and Robertson-Kirkland, B. (2019) Exploring Space and Place through Active Learning Pedagogies. 12th Annual University of Glasgow Learning and Teaching Conference, Glasgow, UK, 2-3 Apr 2019.

Robertson-Kirkland, B.E. (2019) Library of Congress: Early American Sheet Music. Royal Musical Association Research Chronicle, 50, pp. 172-180. (doi: 10.1080/14723808.2018.1500810)

2018

Robertson-Kirkland, B. E. (2018) Rivalry, comradery and the prima donnas: Elizabeth Billington and Gertrude Mara. In: Duckling, L., Read, S., Roberts, F. and Williams, C. D. (eds.) Exploring the Lives of Women, 1558–1837. Pen & Sword History. ISBN 9781526744975

Robertson-Kirkland, B. E. (2018) "My love to war is going”: Women and song in the Napoleonic era. In: Hore, P. (ed.) The Trafalgar Chronicle: New Series 3. Series: Yearbook of The 1805 Club. Seaforth Publishing. ISBN 9781473899803

Robertson-Kirkland, B. (2018) Music-making: a fundamental or a vain accomplishment? Women's History, 2(10), pp. 30-34.

Robertson-Kirkland, B. (2018) Eighteenth-century Arts Education Research Network. Eighteenth-Century Music, 15(1), pp. 103-104. (doi: 10.1017/S1478570617000574)

2017

Berger, C. and Robertson-Kirkland, B. (2017) The burning circle: (pre)history, performance and public engagement. Scottish Journal of Performance, 4(1), pp. 29-53. (doi: 10.14439/sjop.2017.0401.03)

Robertson-Kirkland, B. (2017) Christina Fuhrmann, Foreign Operas at the London Playhouse: From Mozart to Bellini (Cambridge: Cambridge University Press, 2015). Nineteenth-Century Music Review, 14(2), pp. 243-245. (doi: 10.1017/S147940981600032X)[Book Review]

Robertson-Kirkland, B. (2017) Women and education in the long Eighteenth Century Glasgow Women's Library, 8 September 2016. Eighteenth-Century Music, 14(1), pp. 171-173. (doi: 10.1017/S1478570616000579)

2015

Robertson-Kirkland, B. E. (2015) Rise to fame: training an 18th-century singer. [Website]

2014

Robertson, B. E. (2014) Dissonance in the Republic of Letters: The Querelle des Gluckistes et des Piccinnistes by Mark Darlow. Journal for Eighteenth-Century Studies, 37(3), pp. 411-412. (doi: 10.1111/1754-0208.12094)[Book Review]

Robertson-Kirkland, B. E. (2014) Opera identity: the singer, the character or the immortal performer? In: Wiseman, S. (ed.) Assembling Identities. Cambridge Scholars Publishing: Cambridge, pp. 47-56. ISBN 9781443865296

2013

Robertson, B. (2013) A History of Singing by John Potter and Neil Sorrell. Kelvingrove Review, 12, [Book Review]

Robertson-Kirkland, B. E. (2013) The silencing of Bel Canto. eSharp, 21, 7.

2011

Robertson, B. (2011) Madrigirls: the past ten years. [Website]

This list was generated on Sat Dec 21 12:11:42 2024 GMT.
Number of items: 28.

Articles

Tasler, N. , Dale, V. H. M. , Breslin, M. , Charters, M., Docherty, F. T. , Karlsson-Brown, P. S. , Karadaglic, D., Reid, D. and Robertson-Kirkland, B. (2023) Risks, reflection, rewards, and resistance: academic perspectives on creative pedagogies for active learning. Journal of Perspectives in Applied Academic Practice, 11(3), pp. 80-96. (doi: 10.56433/jpaap.v11i3.585)

Robertson-Kirkland, B. E. (2022) Music from home: Symonds sheet music collection and the Scots in Australia. Journal of the Sydney Society for Scottish History, 20, pp. 33-53.

Robertson-Kirkland, B. (2022) Radical Object: Programme of the evenings musical performances at Warrawang. History Workshop,

Robertson-Kirkland, B. E. (2021) WWA reflection: building writing momentum: a year of digital conferences. ABO: Interactive Journal for Women in the Arts, 1640-1830, 11(2), 14.

Robertson-Kirkland, B. (2021) ‘Damage to trees’: Performing Ramsay’s The Gentle Shepherd at Haddington Grammar School: A theory and its scholarly impact. Theatre Notebook, 75(3), pp. 173-186.

Robertson-Kirkland, B. E. , Tip, L. M., Boyd, S. F. and Marshall, E. J. (2021) Accessibility, interdisciplinarity and practice: the benefits and challenges of hosting an online, interdisciplinary conference on singing. Journal of Music, Health and Wellbeing,

Robertson-Kirkland, B. E. (2020) Mapping changes to the songs in The Gentle Shepherd, 1725-1788. Studies in Scottish Literature, 46(2), pp. 103-126.

Robertson-Kirkland, B. E. (2019) Performance potential of Stationers’ Hall collections. Brio, 56(2), pp. 77-86.

Robertson-Kirkland, B.E. (2019) Library of Congress: Early American Sheet Music. Royal Musical Association Research Chronicle, 50, pp. 172-180. (doi: 10.1080/14723808.2018.1500810)

Robertson-Kirkland, B. (2018) Music-making: a fundamental or a vain accomplishment? Women's History, 2(10), pp. 30-34.

Robertson-Kirkland, B. (2018) Eighteenth-century Arts Education Research Network. Eighteenth-Century Music, 15(1), pp. 103-104. (doi: 10.1017/S1478570617000574)

Berger, C. and Robertson-Kirkland, B. (2017) The burning circle: (pre)history, performance and public engagement. Scottish Journal of Performance, 4(1), pp. 29-53. (doi: 10.14439/sjop.2017.0401.03)

Robertson-Kirkland, B. (2017) Women and education in the long Eighteenth Century Glasgow Women's Library, 8 September 2016. Eighteenth-Century Music, 14(1), pp. 171-173. (doi: 10.1017/S1478570616000579)

Robertson-Kirkland, B. E. (2013) The silencing of Bel Canto. eSharp, 21, 7.

Books

Lamont, C. and Robertson-Kirkland, B. (2023) The Poetry and Drama of Allan Ramsay. Series: Scotnotes (44). Association for Scottish Literatures: Glasgow. ISBN 9781906841553

Robertson-Kirkland, B. E. (2022) Venanzio Rauzzini and the Birth of a New Style in English Singing: Scandalous Lessons. Series: Routledge studies in eighteenth-century cultures and societies. Routledge. ISBN 9780367443375 (doi: 10.4324/9781003009160)

Book Sections

Robertson-Kirkland, B. E. (2018) Rivalry, comradery and the prima donnas: Elizabeth Billington and Gertrude Mara. In: Duckling, L., Read, S., Roberts, F. and Williams, C. D. (eds.) Exploring the Lives of Women, 1558–1837. Pen & Sword History. ISBN 9781526744975

Robertson-Kirkland, B. E. (2018) "My love to war is going”: Women and song in the Napoleonic era. In: Hore, P. (ed.) The Trafalgar Chronicle: New Series 3. Series: Yearbook of The 1805 Club. Seaforth Publishing. ISBN 9781473899803

Robertson-Kirkland, B. E. (2014) Opera identity: the singer, the character or the immortal performer? In: Wiseman, S. (ed.) Assembling Identities. Cambridge Scholars Publishing: Cambridge, pp. 47-56. ISBN 9781443865296

Book Reviews

Robertson-Kirkland, B. (2017) Christina Fuhrmann, Foreign Operas at the London Playhouse: From Mozart to Bellini (Cambridge: Cambridge University Press, 2015). Nineteenth-Century Music Review, 14(2), pp. 243-245. (doi: 10.1017/S147940981600032X)[Book Review]

Robertson, B. E. (2014) Dissonance in the Republic of Letters: The Querelle des Gluckistes et des Piccinnistes by Mark Darlow. Journal for Eighteenth-Century Studies, 37(3), pp. 411-412. (doi: 10.1111/1754-0208.12094)[Book Review]

Robertson, B. (2013) A History of Singing by John Potter and Neil Sorrell. Kelvingrove Review, 12, [Book Review]

Conference or Workshop Item

Sheridan, N., Dale, V. , Breslin, M. , Charters, M., Docherty, F. , Karadaglic, D., Karlsson-Brown, P. S. , Reid, D. and Robertson-Kirkland, B. (2019) Creative Approaches to Academic Practice Leading to the Scholarship of Teaching and Learning. Alt Annual Conference 2019, Edinburgh, UK, 3-5 Sept 2019.

Sheridan, N., Dale, V. , Breslin, M. , Charters, M., Docherty, F. , Karadaglic, D., Karlsson-Brown, P. , Reid, D. and Robertson-Kirkland, B. (2019) Students as Scholars: Academic Development and the Scholarship of Teaching and Learning. Enhancing Student Learning Through Innovative Scholarship Conference, Edinburgh, UK, 18-19 Jul 2019.

Sheridan, N., Dale, V. , Breslin, M. , Charters, M., Docherty, F. , Karadaglic, D., Karlsson-Brown, P. , Reid, D. and Robertson-Kirkland, B. (2019) Exploring Space and Place through Active Learning Pedagogies. 12th Annual University of Glasgow Learning and Teaching Conference, Glasgow, UK, 2-3 Apr 2019.

Website

Editors:, , Pittock, M. , Brown, R. , McGuinness, D. , Newman, S., Szechi, D., Lamont, C. , Robertson-Kirkland, B. E. and Caudle, J. J. (2022) Collected Works of Allan Ramsay. [Website]

Robertson-Kirkland, B. E. (2015) Rise to fame: training an 18th-century singer. [Website]

Robertson, B. (2011) Madrigirls: the past ten years. [Website]

This list was generated on Sat Dec 21 12:11:42 2024 GMT.

Grants

  • 2023: BSECS-Georgian Papers Project Fellow (exploring Dora Jordan's correspondance)
  • 2023: WSG Busary Recipient
  • 2021-2023: Scotland's Singing for Health Network, RSE Network Grant
  • 2019: Curious Caledonians, University of Glasgow-University of Sydney Collaboration Grant 
  • 2010–Present: Lanfine Choral Scholar, : University of Glasgow Chapel Choir
  • 2014/15 College of Arts Intern Studentship
  • 2012/13, 2013/14 & 2014/15 McGlashan Charitable Award
  • 2014: School of Culture and Creative Arts Support Award: grant towards the digitisation of 24 Solfeggi or Exercises for the Voice by Venanzio Rauzzini
  • 2012: Lanarkshire Education Award, PhD
  • 2011: Lanarkshire Education Award, MMus Historically Informed Performance
  • 2011: Edward Caird Award, College List, University of Glasgow, MMus Historically Informed Performance

Conference Grants

  • 2016: British Society for Eighteenth Century Studies conference grant, Women and Education in the Long Eighteenth Century workshop at Glasgow Women's Library
  • 2016: New Inititatives Fund Women and Education in the Long Eighteenth Century workshop at GWL
  • 2014: Chancellor's Fund, Sound Thought, Postgraduate Music Festival
  • 2014: Creative Practice Award, Sound Thought, Postgraduate Music Festival Open Day

Travel Grants

  • 2017: Stephen Copley Award, British Association for Romantic Studies, trip to London
  • 2017: British Society of Eighteenth Century Studies Chawton House Visiting Fellowship
  • 2017: The Ross Fund, College of Arts, 1 month trip to Sydney to exlpore the Stewart Symonds Collection at the Sydney Living Museums
  • 2016: University of Glasgow School of Culture and Creative Arts Research Award
  • 2015: Music and Letters Grant, trip to 1st Transnational Opera Studies Conference, University of Bologna
  • 2015: Sir Fitzroy McLean Travel Scholarship Award, University of Glasgow
  • 2015: The Friends of St Cecilia’s Hall and Museum of Instruments Bursary Award 2015 for Projects Relating to Music Pre-1820 
  • 2015: ASECS Traveling Jam Pot
  • 2015: University of Glasgow College of Arts Research Award
  • 2015: University of Glasgow School of Culture and Creative Arts Research Award
  • 2014: College of Arts Support Award: travel to London in order to research first study sources at the British Library
  • 2012: WGS Next Generation Bursary, Conference trip to Royal Music Association in Hull

Teaching

  • Musicology
  • Music History
  • Listening and Repertory
  • Opera
  • Music of Scotland
  • Music in the Long Nineteenth Century
  • Performance Practice
  • Performance (Course administrative assistant)
  • eSharp Peer Review Workshop for postgraduate students
  • Kelvingrove review, book review workshop for postgraduate students
  • Hunterian Associate programme for postgraduate students, workshop leader, 'Digital Media'

Additional information

Conference Committee

2020-2023: BSECS Academic Conference Organiser

15 May 2018: Women's Studies Group Annual Workshop, Foundling Museum, London

8 September 2016: Women and Education in the long 18th century, in collaboration with the Glasgow Women's Library

22 May 2014: 'Dialogue Across Decades' eSharp, 10th Anniversary Conference (General Editor)

10-12 January 2014: Sound Thought Beta (Creative Director)

Professional Affiliations

  • College of Arts Intern
  • Higher Education Academy
  • Royal Musical Association
  • British Association for Romantic Studies
  • Centre for Nineteenth Century Studies
  • British Society for Eighteenth Century Studies
  • American Society for Eighteenth Century Studies
  • The University of Glasgow Chapel Choir
  • Hunterian Associate
  • Chartered Management Institutute
  • Chair, Sound Thought 2014
  • General Editor, eSharp & The Kelvingrove Review 2013/14
  • Creator and Editor, Sound Thought Creative Practice Journal (in association with eSharp), 2013/14

Professional Recognition

  • Postgraduate Certificate in Academic Practice
  • Fellow of the Higher Education Academy
  • Level 3 Award in First Line Management, Chartered Management Institutute

Additional Activities

  • 2013-Present: Peer reviewer, eSharp (University of Glasgow), The Kelvingrove Review (University of Glasgow), Skepsi (University of Kent)
  • 2016: Public Engagement Intern, Research Strategy and Innovation Office, University of Glasgow
  • 2016: Research Intern, Glasgow University's Great War: A Centenary Project, Archives, University of Glasgow
  • 2016: PGR representative for the REF working group, Music, University of Glasgow
  • 2016: PGR representative for the College of Arts Development Board, University of Glasgow
  • 2014: Research Assistant, College of Arts, Learning and Teaching Centre, University of Glasgow