Richard Osborne, (2024) I refuse to be on a slave ship Artistes et entrepreneuriat (isbn: 9782367480695); source: Richard Osborne

Richard Osborne, (2024) UK Music before and after Covid-19 International Journal of Cultural Policy (doi: 10.1080/10286632.2023.2214151)(issn: 1028-6632)(issn: 1477-2833); source: Richard Osborne

Richard Osborne, (2023) Songwriters vs. the recording industry: the use and abuse of statistics in UK streaming debates Popular Music (doi: 10.1017/S0261143023000508); source: Crossref

Richard Osborne, Hyojung Sun, (2023) Rights Reversion and Contract Adjustment Intellectual Property Office (isbn: 978-1-915090-34-8); source: Richard Osborne

Richard Osborne, (2022) Owning the Masters Bloomsbury Academic (isbn: 9781501345906); source: Richard Osborne

Richard Osborne, (2021) Copyright, Royalties and Industrial Decline The Present and Future of Music Law (isbn: 9781501367779); source: Richard Osborne

Richard Osborne, (2021) I am a One in Ten Music by Numbers: The Use and Abuse of Statistics in the Music Industries (isbn: 9781789382532); source: Richard Osborne

Richard Osborne, (2021) Live Music vs Recorded Music Music by Numbers: The Use and Abuse of Statistics in the Music Industries (isbn: 9781789382532); source: Richard Osborne

Richard Osborne, (2021) The Gold Disc Music by Numbers: The Use and Abuse of Statistics in the Music Industries (isbn: 9781789382532); source: Richard Osborne

Richard Osborne, (2020) Decomposed: The Political Ecology of Music. By Kyle Devine. Cambridge, MA: MIT Press, 2019. 316 pp. ISBN 978-0-262-53778-0 Popular Music (doi: 10.1017/s0261143020000288)(issn: 0261-1430)(issn: 1474-0095); source: Richard Osborne

Richard Osborne, Zuleika Beaven, Marcus O'Dair, (2018) Mute Records Bloomsbury Academic (isbn: 9781501340604); source: Richard Osborne

Osborne, Richard, (2018) Moby, Minstrelsy and Melville (source-work-id: BASE:e94014f08aa88a01ec323993af9ef69c2a0ad84865e90541e2a4c169eac5cd0e); source: BASE - Bielefeld Academic Search Engine

Osborne, Richard, (2018) Six types of silence (source-work-id: BASE:eebb4ae00865c1639ba2d3419c6064df92a976784a454905ea1d7f17753393cd); source: BASE - Bielefeld Academic Search Engine

Osborne, Richard, (2018) Vinyl, Vinyl everywhere: The analog record in the digital world (source-work-id: BASE:ad31fbce216266c44523d2710c54de116fdf6047db9251b8e7e5888f83e1a0f5); source: BASE - Bielefeld Academic Search Engine

Osborne, Richard, (2017) Is equitable remuneration equitable? Performers' rights in the UK (source-work-id: BASE:89c43ce311f820d1dca473b52cffb08fbfdfdcdebdcadf1f915f01e4670450b2)(doi: 10.1080/03007766.2017.1348660); source: BASE - Bielefeld Academic Search Engine

Osborne, Richard, (2017) Success ratios, new music and sound recording copyright (source-work-id: BASE:ab797edee4f1e95422207e81410b619ee6bb87e4f4af8a836195d3f95a7157cb)(doi: 10.1017/S0261143017000319); source: BASE - Bielefeld Academic Search Engine

Richard Osborne, (2016) Fight Back: Punk, Politics and Resistance. Edited by the Subcultures Network. Manchester: Manchester University Press, 2015. 319 pp. ISBN 978-0-7190-9029-5 Popular Music (doi: 10.1017/s0261143016000258)(issn: 0261-1430)(issn: 1474-0095); source: Richard Osborne

Richard Osborne, (2016) Vinyl: The Analogue Record in the Digital Age. By Dominik Bartmanski and Ian Woodward. London and New York: Bloomsbury, 2015. 240 pp. ISBN 978-0-8578-5731-6 Popular Music (doi: 10.1017/s026114301600009x)(issn: 0261-1430)(issn: 1474-0095); source: Richard Osborne

Richard Osborne, (2016) Reformatted: Code, Networks, and the Transformation of the Music Industry. By Andrew Leyshon. Oxford: Oxford University Press, 2014. 199 pp. ISBN 978-0-19-957241-0 Popular Music (doi: 10.1017/s0261143015000653)(issn: 0261-1430)(issn: 1474-0095); source: Richard Osborne

Osborne, Richard, (2016) 'That's me in the spotlight': audiences and musicians on screen (source-work-id: BASE:4937a208a5679f13a3305c849aa5e5470a7e1e5581f061d15f9d80d4b7a76f79); source: BASE - Bielefeld Academic Search Engine

Osborne, Richard, (2015) A great friggin' swindle? Sex Pistols, school kids and 1979 (source-work-id: BASE:8432044bb608b2475360a58825da847fa09dc409e116731238e496991d4125f1)(doi: 10.1080/03007766.2015.1034496); source: BASE - Bielefeld Academic Search Engine

Osborne, Richard, (2014) Audio books: the literary origins of grooves, labels and sleeves (source-work-id: BASE:35828b6113d9f80284f9155a2d5111c34d785386184ba60e5c4e5e77e25d81e4); source: BASE - Bielefeld Academic Search Engine

Osborne, Richard, (2014) The gold disc: one million pop fans can't be wrong? (source-work-id: BASE:07ee7d97e7a114552575ef9e0ee074b5af71de1b54b3474fc232f036aeb950ca); source: BASE - Bielefeld Academic Search Engine

Osborne, Richard, (2012) Vinyl: a history of the analogue record (source-work-id: BASE:ef011038803c163aafa9aa3f2e91e71cbae95d1c83f965e657a37852c160c563); source: BASE - Bielefeld Academic Search Engine

Osborne, Richard, (2011) India on film, 1939-1947 (source-work-id: BASE:e66d6710f528bfcde44fdcc7ac234a83b65c39f465c959443a92588019777bd2); source: BASE - Bielefeld Academic Search Engine

Osborne, Richard, (2010) I curse your preoccupation with your record collection: The Fall on vinyl 1978-83 (source-work-id: BASE:592f87c33dd00c65d7d1269651d7e335d3ef872e264ce32a5fd468219ac54788); source: BASE - Bielefeld Academic Search Engine

Richard Osborne, (2008) The record and its label: Identifying, marketing, dividing, collecting (source-work-id: BASE:ed6b38d4a8394749aed71f6403181d2610ec64153d601b5d776e13f794ae7604); source: BASE - Bielefeld Academic Search Engine

Osborne, Richard, (2007) De l'étiquette au label (source-work-id: BASE:31a26e109792e43f3c8492322caeefcb2402d4eeabe5bfb982564d192a43eec4); source: BASE - Bielefeld Academic Search Engine

RICHARD OSBORNE, (2006) 'Blackface' minstrelsy from Melville to Moby Critical Quarterly (doi: 10.1111/j.1467-8705.2006.00683.x)(issn: 0011-1562)(issn: 1467-8705); source: Richard Osborne