Dr Ian Goode

  • Senior Lecturer (Theatre, Film & Television Studies)

telephone: 01413306500
email: Ian.Goode@glasgow.ac.uk

Room 335 Level 3, Film and Television Studies, Gilmorehill Halls, Glasgow G12 8QQ

Import to contacts

ORCID iDhttps://orcid.org/0000-0002-4735-4004

Research interests

Research Interests

Contemporary Scottish and British film and television, particularly representations of the past, and auto/biographical representation. Developments in non-fiction/documentary television and debates about self-presentation, cultural value, national culture and related film & television institutions. Film exhibition in non-theatrical/makeshift spaces, the idea of rural cinema and related developments in film/cinema history.

Research Projects

Current research includes a project concerned with mapping the history, reception and geography of the cinema in rural Scotland.

Publications

List by: Type | Date

Jump to: 2021 | 2020 | 2018 | 2013 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006 | 2003
Number of items: 17.

2021

Goode, I. (2021) The cultural topography of rural cinema-going in the post-war Highlands and Islands of Scotland. In: Keller, D. and Habermann, I. (eds.) Brexit and Beyond: Nation and Identity. Series: Swiss Papers in English Language and Literature (SPELL) (39). Narr Francke Attempto: Tübingen, pp. 207-226. ISBN 9783823384144

2020

Goode, I. (2020) The unsatisfactory medium: the transition from mobile cinema to television in the post-war Highlands and Islands. Northern Scotland, 11(1), pp. 23-41. (doi: 10.3366/nor.2020.0203)

Goode, I. , Neely, S. , Brown, C. and Munro, E. (2020) The media of modernity: film and new media in the Highlands & Islands 1946-1971: introduction. Northern Scotland, 11(1), pp. 1-10. (doi: 10.3366/nor.2020.0201)

Goode, I. (2020) The craft of the rural cinema operator: improvised exhibition and the Highlands and Islands Film Guild, Scotland (1946-71). In: Mennoti, G. and Crisp, V. (eds.) Practices of Projection: Histories and Technologies. Oxford University Press: Oxford, pp. 36-51. ISBN 9780190934118 (doi: 10.1093/oso/9780190934118.003.0003)

2018

Goode, I. (2018) UNESCO, mobile cinema, and rural audiences: exhibition histories and instrumental ideologies of the 1940s. In: Gennari, D. T., Hipkins, D. and O'Rawe, C. (eds.) Rural Cinema Exhibition and Audiences in a Global Context. Palgrave Macmillan: Basingstoke, Hampshire, pp. 219-235. ISBN 9783319663432 (doi: 10.1007/978-3-319-66344-9_13)

Goode, I. (2018) Island geographies, the Second World War film and the Northern Isles of Scotland. In: Holt, Y., Martin-Jones, D. and Jones, O. (eds.) Visual Culture in the Northern British Archipelago: Imagining Islands. Series: British art: histories and interpretations since 1700. Routledge: London, pp. 51-68. ISBN 9780815374275

2013

Goode, I. (2013) The place of rural exhibition: makeshift cinema-going and the Highlands and Islands Film Guild (Scotland). In: Aveyard, K. and Moran, A. (eds.) Watching Films: New Perspectives on Movie-going, Exhibition and Reception. Intellect: London, UK, pp. 263-278. ISBN 9781841505114

2011

Goode, I. (2011) Cinema in the country: the rural cinema scheme – Orkney (1946-67). Post Script: Essays in Film and the Humanities, 30(2), pp. 17-31.

2010

Goode, I. (2010) Television documentary, pop stardom and auto/biographical narratives. In: Inglis, I. (ed.) Popular Music and Television in Britain. Series: Ashgate popular and folk music series. Ashgate: Farnham, UK, pp. 27-40. ISBN 9780754668640

2009

Goode, I. (2009) Locating the family film: the critics, the competition and the archive. In: Craven, I. (ed.) Movies on Home Ground: Explorations in Amateur Cinema. Cambridge Scholars Press: Cambridge, pp. 182-207. ISBN 1443813443; 9781443813440

2008

Goode, I. (2008) Living with fame: Geri and Living with Michael Jackson. Social Semiotics, 18(2), pp. 177-190. (doi: 10.1080/10350330802002234)

2007

Goode, I. (2007) CSI: crime scene investigation: quality, the fifth channel and 'America's Finest'. In: Akass, K. and McCabe, J. (eds.) Quality TV: Contemporary American Television and Beyond. Palgrave Macmillan, pp. 118-128. ISBN 9781845115111

Goode, I. (2007) Different trajectories: Europe and Scotland in recent film and television. Portal: Journal of Multidisciplinary International Studies, 4(2),

Goode, I. (2007) Mediating the rural: local hero and the location of Scottish cinema. In: Fish, R. (ed.) Cinematic Countrysides. Manchester University Press, pp. 109-127. ISBN 9780719072666

2006

Goode, I. (2006) The quality of intimacy: revelation and disguise in the dramatic monologue. Journal of Popular British Film and Television, 3(1), pp. 107-114.

2003

Goode, I. (2003) A pattern of inheritances: Alan Bennett, heritage and British film and television. Screen, 44(3), pp. 295-313.

Goode, I. (2003) Value and television aesthetics. Screen, 44(1), pp. 106-109. (doi: 10.1093/screen/44.1.106)

This list was generated on Thu Oct 31 01:27:01 2024 GMT.
Jump to: Articles | Book Sections
Number of items: 17.

Articles

Goode, I. (2020) The unsatisfactory medium: the transition from mobile cinema to television in the post-war Highlands and Islands. Northern Scotland, 11(1), pp. 23-41. (doi: 10.3366/nor.2020.0203)

Goode, I. , Neely, S. , Brown, C. and Munro, E. (2020) The media of modernity: film and new media in the Highlands & Islands 1946-1971: introduction. Northern Scotland, 11(1), pp. 1-10. (doi: 10.3366/nor.2020.0201)

Goode, I. (2011) Cinema in the country: the rural cinema scheme – Orkney (1946-67). Post Script: Essays in Film and the Humanities, 30(2), pp. 17-31.

Goode, I. (2008) Living with fame: Geri and Living with Michael Jackson. Social Semiotics, 18(2), pp. 177-190. (doi: 10.1080/10350330802002234)

Goode, I. (2007) Different trajectories: Europe and Scotland in recent film and television. Portal: Journal of Multidisciplinary International Studies, 4(2),

Goode, I. (2006) The quality of intimacy: revelation and disguise in the dramatic monologue. Journal of Popular British Film and Television, 3(1), pp. 107-114.

Goode, I. (2003) A pattern of inheritances: Alan Bennett, heritage and British film and television. Screen, 44(3), pp. 295-313.

Goode, I. (2003) Value and television aesthetics. Screen, 44(1), pp. 106-109. (doi: 10.1093/screen/44.1.106)

Book Sections

Goode, I. (2021) The cultural topography of rural cinema-going in the post-war Highlands and Islands of Scotland. In: Keller, D. and Habermann, I. (eds.) Brexit and Beyond: Nation and Identity. Series: Swiss Papers in English Language and Literature (SPELL) (39). Narr Francke Attempto: Tübingen, pp. 207-226. ISBN 9783823384144

Goode, I. (2020) The craft of the rural cinema operator: improvised exhibition and the Highlands and Islands Film Guild, Scotland (1946-71). In: Mennoti, G. and Crisp, V. (eds.) Practices of Projection: Histories and Technologies. Oxford University Press: Oxford, pp. 36-51. ISBN 9780190934118 (doi: 10.1093/oso/9780190934118.003.0003)

Goode, I. (2018) UNESCO, mobile cinema, and rural audiences: exhibition histories and instrumental ideologies of the 1940s. In: Gennari, D. T., Hipkins, D. and O'Rawe, C. (eds.) Rural Cinema Exhibition and Audiences in a Global Context. Palgrave Macmillan: Basingstoke, Hampshire, pp. 219-235. ISBN 9783319663432 (doi: 10.1007/978-3-319-66344-9_13)

Goode, I. (2018) Island geographies, the Second World War film and the Northern Isles of Scotland. In: Holt, Y., Martin-Jones, D. and Jones, O. (eds.) Visual Culture in the Northern British Archipelago: Imagining Islands. Series: British art: histories and interpretations since 1700. Routledge: London, pp. 51-68. ISBN 9780815374275

Goode, I. (2013) The place of rural exhibition: makeshift cinema-going and the Highlands and Islands Film Guild (Scotland). In: Aveyard, K. and Moran, A. (eds.) Watching Films: New Perspectives on Movie-going, Exhibition and Reception. Intellect: London, UK, pp. 263-278. ISBN 9781841505114

Goode, I. (2010) Television documentary, pop stardom and auto/biographical narratives. In: Inglis, I. (ed.) Popular Music and Television in Britain. Series: Ashgate popular and folk music series. Ashgate: Farnham, UK, pp. 27-40. ISBN 9780754668640

Goode, I. (2009) Locating the family film: the critics, the competition and the archive. In: Craven, I. (ed.) Movies on Home Ground: Explorations in Amateur Cinema. Cambridge Scholars Press: Cambridge, pp. 182-207. ISBN 1443813443; 9781443813440

Goode, I. (2007) CSI: crime scene investigation: quality, the fifth channel and 'America's Finest'. In: Akass, K. and McCabe, J. (eds.) Quality TV: Contemporary American Television and Beyond. Palgrave Macmillan, pp. 118-128. ISBN 9781845115111

Goode, I. (2007) Mediating the rural: local hero and the location of Scottish cinema. In: Fish, R. (ed.) Cinematic Countrysides. Manchester University Press, pp. 109-127. ISBN 9780719072666

This list was generated on Thu Oct 31 01:27:01 2024 GMT.

Supervision

  • He, Rong
    Self-presentation of a Ukrainian Refugee Family in Social Media: A Journey of Exploration with Documentary Filmmaking
  • Li, Xin
    Characters with mental problems in Western TV series and Chinese audiences
  • McGlynn, Amanda
    The use of secret filming in investigative programmes (2000 – 2020) Does secretly recorded footage offer a more realistic portrayal of events?
  • Song, Ningning
    Creative Practice as Research: Exploring Storytelling With Virtual Reality In 360-Degrees Documentary

Dr Ian Goode