Dr Eva Moreda Rodriguez

Reader (Music)

telephone: 01413302613
email: Eva.MoredaRodriguez@glasgow.ac.uk

School of Culture and Creative, Arts: Subject of Music, 14 University Gardens

https://orcid.org/0000-0003-4512-1992

Research interests

Early history of recording technologies (incl. their cultural/social history and their use as documents for historical performance practice)
The music of the Franco regime and of the Spanish Republican exile; music and fascism/totalitarianism
Singing, (art) song, vocal performance practice, vocality (particularly in the Middle Ages and at the turn of the 20th century)
Digital mapping; Digital Musicology
The history and practice of music criticism
Music and literature, music and text, hybrid genres of writing about music

I started my research career as a historian of nineteenth and twentieth century Spanish music, focusing on two distinct areas, each of whom resulted in two monographs. My doctoral and post-doctoral research focused, respectively, on music under the Franco regime (Music criticism and music critics in early Francoist Spain, OUP, 2016) and in exile (Music and exile in Francoist Spain, Ashgate, 2015). At a later stage, I undertook research on the arrival of recording technologies to the country (Inventing the recording. The phonograph and national culture in Spain, OUP, 2021; and the forthcoming Singing Zarzuela, 1896-1958: Approaching Portamento and Musical Expression through Historical Recordings, CUP, 2024).

Working on a relatively circumscribed area, and one existing in the periphery of what is normally understood as Western art music, I have had the opportunity to experiment with and pioneer in this area a multiplicity of different approaches that reflect current and recent developments in musicology and related disciplines. My research on music under Franco started off from a more traditional "music and politics" perspective, and it eventually integrated perspectives from Spanish Exile Studies and Music and Mobility studies in order to explore how Spanish music historiography might make sense of the dictatorship and exile. Similarly, my research on early recording technologies in Spain has covered the topic from a broad range of perspectives: from the development of new discourses on sound from a Historical Sound Studies perspective, to the study of the early development of the music industry in Spain, to the analysis of historical performance practice in singing in turn-of-the-century Spain. I have also been intensely preoccupied by how my findings on Spanish music might change the ways in which we look at the history of recording technologies, music and exile, and music and dictatorship more broadly; such preoccupations have reflected themselves mostly in my edited books.

Key to my research has also been a preoccupation with bringing neglected or forgotten historical repertoires to contemporary audiences, in an attempt at diversifying music programmes and encouraging reflection on how canons and repertoires take shape. I have collaborated with a range of performers and institutions such as Instituto Cervantes Londres and Fundacion Juan March, and I am proud that it was thanks to my work that pieces that had remained largely forgotten since their first performance could have a second opportunity with audiences, as is the case with Josep Valls's songs and Julian Orbon's Libro de cantares. Two recent areas of interest and research have also followed, rather than preceded, public engagement work: firstly, on the basis of my work as a Galician-language novelist, I was invited by a leading Galician-language publisher on traditional music to write a short hybrid essay on a forgotten traditional dance; this has since resulted on further invitations to speak about Galician traditional and historical music. Secondly, my study of singing and of the portative organ in the Middle Ages resulted to a series of invitations to perform and teach at the festival Medieval music in the Dales, and has more recently evolved into a published article on alliteration and consonance in Aquitanian versus.

Publications

List by: Type | Date

Jump to: 2024 | 2023 | 2022 | 2021 | 2020 | 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2008

Number of items: 60.

2024

Moreda Rodriguez, E. (2024) Alliteration and consonance in Aquitanian versus: putting the body back into singing. Textus et Musica, 7, 2023.

2023

Gonzalo Delgado, S. and Moreda Rodriguez, E. (2023) La grabación en el contexto iberoamericano: discursos, prácticas y repertorios = Recording in the Ibero-American context: discourses, practices and repertories. Cuadernos de música iberoamericana, 36, pp. 11-15. (doi: 10.5209/cmib.92465)

Moreda Rodriguez, E. (2023) Expressive tempo modifications in zarzuela performance: the evidence from early recordings. Acta Musicologica, 95(2), pp. 131-150.

Moreda Rodriguez, E. (2023) Recording zarzuela grande in Spain in the early days of the phonograph and gramophone. In: Machin-Autenrieth, M., El-Shawan Castelo-Branco, S. and Llano, S. (eds.) Music and the Making of Portugal and Spain: Nationalism and Identity Politics in the Iberian Peninsula. University of Illinois Press: Urbana, Chicago and Springfield, pp. 83-99. ISBN 9780252045325

Contreras Zubillaga, I. and Moreda Rodriguez, E. (Eds.) (2023) Spain in Our Ears: International Musical Responses in Support of the Republic During the Spanish Civil War. Routledge. ISBN 9781032502083

Moreda Rodríguez, E. (2023) Exile and memory in post-Franco Spain: Julián Orbón’s Libro de cantares (1987). Twentieth-Century Music, (doi: 10.1017/S1478572222000378) (Early Online Publication)

Moreda Rodríguez, E. and Stanovic, I. (Eds.) (2023) Early Sound Recordings: Academic Research and Practice. Routledge: Abingdon, Oxon ; New York, NY. ISBN 9781032047515

Moreda Rodríguez, E. (2023) From notation to stage to recording in Spanish zarzuela, 1896–1958. In: Moreda Rodríguez, E. and Stanovic, I. (eds.) Early Sound Recordings: Academic Research and Practice. Routledge: Abingdon, Oxon ; New York, NY, pp. 185-201. ISBN 9781032047515 (doi: 10.4324/9781003194521-13)

2022

Moreda Rodríguez, E. (2022) Talking machines in Spanish commercial plays, 1888-1913. Arte Musices, 53(2), pp. 343-354. (doi: 10.21857/mjrl3ug8r9)

Moreda Rodriguez, E. (2022) De la tradición a la hibridación: música y literatura en el sistema literario gallego desde el 2000 al presente. Insula, 912, pp. 39-45.

Moreda Rodriguez, E. (2022) I. Contreras Zubillaga, « Tant que les révolutions ressemblent à cela ». L’avant- garde musicale espagnole sous Franco, 2020. Revue de Musicologie, 108(1), pp. 120-122. [Book Review]

Moreda Rodriguez, E. (2022) Singing and speaking in early twentieth-century zarzuela: the evidence from early recordings. Journal of Musicological Research, 41(1), pp. 23-49. (doi: 10.1080/01411896.2021.2021514)

2021

Zubillaga, I. C. and Moreda Rodriguez, E. (2021) Spain in our ears: international musical responses in support of the republic during the Spanish Civil War. Journal of War and Culture Studies, 14(4), pp. 365-371. (doi: 10.1080/17526272.2021.1950958)

Roy, E. A. and Moreda Rodríguez, E. (Eds.) (2021) Phonographic Encounters: Mapping Transnational Cultures of Sound, 1890-1945. Routledge: Abingdon, Oxon ; New York, NY. ISBN 9780367439217

Moreda Rodríguez, E. (2021) Discòfils: notes on the birth of the record club and the record listener in 1930s Barcelona. In: Roy, E. A. and Moreda Rodríguez, E. (eds.) Phonographic Encounters: Mapping Transnational Cultures of Sound, 1890-1945. Routledge: Abingdon, Oxon ; New York, NY, pp. 100-116. ISBN 9780367439217 (doi: 10.4324/9781003006497-8)

Moreda Rodriguez, E. (2021) Inventing the Recording. The Phonograph and National Culture in Spain, 1877-1914. Oxford University Press: New York. ISBN 9780197552063

Moreda Rodríguez, E. (2021) Review of Francisco Parralejo Masa, El músico como intelectual: Adolfo Salazar y la creación del discurso de la vanguardia musical española, 1914–1936. Bulletin of Hispanic Studies, 98(7), pp. 703-705. (doi: 10.3828/bhs.2021.42)[Book Review]

Moreda Rodríguez, E. (2021) Twice exiled: Josep Valls (1904-1999) and his art songs in the context of the Spanish Republican exile. Search: Journal for New Music and Culture(12),

Moreda Rodríguez, E. (2021) Musicians’ Migratory Patterns: American–Mexican Border Lands. Ed. by Mauricio Rodríguez. Music and Letters, 102(1), pp. 172-173. (doi: 10.1093/ml/gcab002)[Book Review]

Moreda Rodriguez, E. (2021) Bach in Spain and Mexico (1917-1958) through the works of Adolfo Salazar. In: Strohm, R. (ed.) Transcultural Music History: Global Participation and Regional Diversity in the Modern Age. Series: Intercultural music studies (24). VWB: Berlin, pp. 259-272. ISBN 9783861356561

2020

Moreda Rodriguez, E. (2020) Songs of the Victorians. Review Journal for Digital Editions and Resources, 13, p. 3. (doi: 10.18716/ride.a.13.3)[Book Review]

Moreda Rodriguez, E. (2020) Amateur recording on the phonograph in fin-de-siècle Barcelona: practices, repertoires and performers in the Regordosa-Turull wax cylinder collection. Journal of the Royal Musical Association, 145(2), pp. 385-415. (doi: 10.1017/rma.2020.17)

Moreda Rodriguez, E. (2020) Reconstructing zarzuela performance practices ca. 1900: wax cylinder and gramophone disc recordings of Gigantes y cabezudos. Journal of Musicology, 37(4), pp. 459-487. (doi: 10.1525/jm.2020.37.4.459)

Moreda Rodriguez, E. (2020) Why do orchestral and band musicians in exile matter? A case study from Spain. Music and Letters, 101(1), pp. 71-88. (doi: 10.1093/ml/gcz080)

Moreda Rodríguez, E. (2020) El uso de Geographic Information Systems en musicología crítica: el caso de Spanish Music in exile. Migraciones y Exilios, 19, pp. 9-24.

Moreda Rodriguez, E. (2020) Peripheral visions / global sounds: from Galicia to the world. Journal of Spanish Cultural Studies, 21(3), pp. 435-437. (doi: 10.1080/14636204.2020.1801954)[Book Review]

2019

Moreda Rodriguez, E. (2019) Discordant Notes: Marginality and Social Control in Madrid, 1850–1930. By Samuel Llano. Currents in Latin American and Iberian Music. ( Oxford University Press, New York and Oxford, 2019. ISBN 9780199392469.). Music and Letters, 100(4), pp. 740-742. (doi: 10.1093/ml/gcz083)[Book Review]

Moreda Rodríguez, E. (2019) Spanish music criticism in the twentieth century: writing music history in real time. In: Dingle, C. (ed.) The Cambridge History of Music Criticism. Series: The Cambridge history of music. Cambridge University Press: Cambridge, pp. 331-343. ISBN 9781107037892 (doi: 10.1017/9781139795425.018)

Moreda Rodriguez, E. (2019) Sobre la necesidad de estudiar a los músicos de orquesta y de banda en el exilio: reflexiones a partir de cinco perfiles. In: Rincón Rodríguez, N. and Ferreiro Carballo, D. (eds.) Bandas de música: contextos interpretativos y repertorio. Series: Libargo investiga (5). Libargo: Granada. ISBN 9788494813603

Moreda Rodriguez, E. (2019) Outreach, entertainment, innovation: Exiled Spanish composers and European radio. Contemporary Music Review, 38(1-2), pp. 7-23. (doi: 10.1080/07494467.2019.1578112)

Moreda Rodriguez, E. (2019) Travelling phonographs in fin de siècle Spain: recording technologies and national regeneration in Ruperto Chapí’s El fonógrafo ambulante. Journal of Spanish Cultural Studies, 20(3), pp. 241-255. (doi: 10.1080/14636204.2019.1644945)

2018

Moreda Rodriguez, E. (2018) Reseña a El teatro musical español. Revista de Humanidades Digitales, 2, pp. 175-179. (doi: 10.5944/rhd.vol.2.2018.21888)[Book Review]

Moreda Rodriguez, E. (2018) Musical modernism and exile: cliché as hermeneutic tool. In: Heile, B. and Wilson, C. (eds.) The Routledge Research Companion to Modernism in Music. Routledge: Abingdon, Oxon ; New York, NY, pp. 199-215. ISBN 9781472470409

Moreda Rodriguez, E. (2018) Michael Christoforidis, Manuel de Falla and Visions of Spanish Music London/ New York, Routledge, 2018. Transposition, 7, [Book Review]

Moreda Rodríguez, E. (2018) Brian Jeffery, España de la guerra. The Spanish Political and Military Songs of the War in Spain 1808 to 1814. H-France Review, 18, p. 22. [Book Review]

Moreda Rodriguez, E. (2018) JESÚS A. RAMOS-KITTRELL, Playing in the Cathedral: Music, Race and Status in New Spain. New York: Oxford University Press. 2016. xiii + 228 pp. Bulletin of Spanish Studies, 95(8), pp. 1093-1094. (doi: 10.1080/14753820.2018.1542874)[Book Review]

2017

Heile, B. , Moreda Rodriguez, E. and Stanley, J. (Eds.) (2017) Higher Education in Music in the Twenty-First Century. Routledge: Abingdon, Oxon ; New York, NY. ISBN 9781472467324

Heile, B. and Moreda Rodriguez, E. (2017) Introduction. In: Heile, B., Moreda Rodriguez, E. and Stanley, J. (eds.) Higher Education in Music in the Twenty-First Century. Routledge: Abingdon, Oxon ; New York, NY, pp. 1-10. ISBN 9781472467324

Moreda Rodriguez, E. (2017) Writing about music in the 21st Century. In: Heile, B., Moreda Rodriguez, E. and Stanley, J. (eds.) Higher Education in Music in the Twenty-First Century. Routledge: Abingdon, Oxon ; New York, NY, pp. 126-137. ISBN 9781472467324

Moreda Rodriguez, E. (2017) Music Criticism and Music Critics in Early Francoist Spain. Oxford University Press: New York. ISBN 9780190215866 (doi: 10.1093/acprof:oso/9780190215866.001.0001)

Moreda Rodríguez, E. (2017) Music Theater and Popular Nationalism in Spain, 1880–1930. By Clinton D. Young . Baton Rouge, LA: Louisiana University Press, 2016. 238 pp. ISBN 978-0-8071-6102-9. Popular Music, 36(1), pp. 133-135. (doi: 10.1017/S0261143016000799)[Book Review]

Moreda Rodríguez, E. (2017) Prefiguring the Spanish recording diva: how gabinetes fonográficos (phonography studios) changed listening practices, 1898–1905. In: Rowland, D. and Barlow, H. (eds.) Listening to Music: People, Practices and Experiences. Open University Press: Milton Keynes. ISBN 9781473023208

2016

Moreda Rodriguez, E. (2016) Música, ciencia y pensamiento en España e Iberoamérica durante el siglo XX, Ed. by Leticia Sanchez de Andres and Adela Presas. Bulletin of Spanish Studies, 93(2), pp. 356-357. (doi: 10.1080/14753820.2016.1127058)[Book Review]

Moreda-Rodriguez, E. (2016) How to Write About Music. Edited by Marc Woodworth and Ally-Jane Grossan. New York: Bloomsbury, 2015. 415 pp. ISBN 978-1-62892-043-7. Popular Music, 35(1), pp. 141-142. (doi: 10.1017/S0261143015000690)[Book Review]

2015

Moreda Rodriguez, E. (2015) Music and Exile in Francoist Spain. Ashgate: Farnham. ISBN 9781472450043

Moreda Rodriguez, E. (2015) Early music in Francoist Spain: Higini Anglès and the exiles. Music and Letters, 96(2), pp. 209-227. (doi: 10.1093/ml/gcv012)

Moreda Rodriguez, E. (2015) Transatlantic networks in the correspondence of two exiled Spanish musicians, Julián Bautista and Adolfo Salazar. Journal of the Royal Musical Association, 140(1), pp. 93-119. (doi: 10.1080/02690403.2015.1008864)

2014

Moreda Rodríguez, E. (2014) Review of "Rock Around Spain. Historia, Industria, Escenas y Medios de Comunicación", edited by Kiko Mora and Eduardo Viñuela. Popular Music, 33(3), pp. 568-570. (doi: 10.1017/S0261143014000555)[Book Review]

Moreda Rodriguez, E. (2014) Hispanic-German music festivals during the Second World War. In: Levi, E. (ed.) The Impact of Nazism on Twentieth-Century Music. Böhlau Verlag: Vienna, pp. 309-322. ISBN 9783205795438

Moreda Rodriguez, E. (2014) La recuperación de la obra de Evaristo Fernández Blanco en la Democracia. Astórica, 33, pp. 117-129.

2013

Moreda Rodriguez, E. (2013) A Catholic, a patriot, a good modernist: Manuel de Falla and the Francoist musical press. Hispanic Research Journal, 14(3), pp. 212-226. (doi: 10.1179/1468273713Z.00000000045)

Moreda-Rodríguez, E. (2013) Musical commemorations in post-Civil War Spain: Joaquín Rodrigo’s Concierto Heroico. In: Fairclough, P. (ed.) Twentieth-Century Music and Politics: Essays in Memory of Neil Edmunds. Ashgate: Farnham, pp. 177-189. ISBN 9781409400264

Moreda Rodriguez, E. (2013) Review of: C. Alonso, Creación musical, cultura popular y construcción nacional en la España contemporánea; A.L. Madrid, Transnational Encounters. Music and Performance at the U.S.-Mexico Border; W. Washabaugh, Flamenco Music and National Identity in Spain. Popular Music, 32(3), pp. 543-547. [Book Review]

Moreda Rodriguez, E. (2013) 'How little we know in this country of the music of Spain…': Spanish music in Britain during the First World War. First World War Studies, 4(2), pp. 241-256.

Moreda Rodriguez, E. (2013) Review of: Adkins, M. and Russ, M. (eds.), The Roberto Gerhard Companion. Journal of Catalan Studies, 16, ix-xi. [Book Review]

2012

Moreda Rodriguez, E. (2012) La mujer que no canta no es … ¡ni mujer española!: folklore and gender in the earlier Franco regime. Bulletin of Hispanic Studies, 89(6), pp. 627-644. (doi: 10.3828/bhs.2012.48)

2011

Moreda Rodriguez, E. (2011) Federico Sopeña, crítico musical: Los años formativos (1939-1949). In: Los Señores de la Crítica. J. Doble: Seville, Spain, pp. 281-310.

Moreda Rodriguez, E. (2011) Francoism and the republican Eexiles: the case of the composer Julián Bautista (1901–61). Twentieth-Century Music, 8(2), pp. 153-173. (doi: 10.1017/S1478572212000060)

2008

Moreda Rodriguez, E. (2008) Fascist Spain and the axis: music, politics, race and canon. British Postgraduate Musicology, 9,

Moreda Rodriguez, E. (2008) Italian musicians in Francoist Spain, 1939-1945: the perspective of music critics. Music and Politics, 2(1),

This list was generated on Wed Jul 17 09:52:53 2024 BST.

Jump to: Articles | Books | Book Sections | Book Reviews | Edited Books

Number of items: 60.

Articles

Moreda Rodriguez, E. (2024) Alliteration and consonance in Aquitanian versus: putting the body back into singing. Textus et Musica, 7, 2023.

Moreda Rodriguez, E. (2023) Expressive tempo modifications in zarzuela performance: the evidence from early recordings. Acta Musicologica, 95(2), pp. 131-150.

Moreda Rodríguez, E. (2023) Exile and memory in post-Franco Spain: Julián Orbón’s Libro de cantares (1987). Twentieth-Century Music, (doi: 10.1017/S1478572222000378) (Early Online Publication)

Moreda Rodríguez, E. (2022) Talking machines in Spanish commercial plays, 1888-1913. Arte Musices, 53(2), pp. 343-354. (doi: 10.21857/mjrl3ug8r9)

Moreda Rodriguez, E. (2022) De la tradición a la hibridación: música y literatura en el sistema literario gallego desde el 2000 al presente. Insula, 912, pp. 39-45.

Moreda Rodríguez, E. (2021) Twice exiled: Josep Valls (1904-1999) and his art songs in the context of the Spanish Republican exile. Search: Journal for New Music and Culture(12),

Moreda Rodriguez, E. (2020) Why do orchestral and band musicians in exile matter? A case study from Spain. Music and Letters, 101(1), pp. 71-88. (doi: 10.1093/ml/gcz080)

Moreda Rodríguez, E. (2020) El uso de Geographic Information Systems en musicología crítica: el caso de Spanish Music in exile. Migraciones y Exilios, 19, pp. 9-24.

Moreda Rodriguez, E. (2019) Outreach, entertainment, innovation: Exiled Spanish composers and European radio. Contemporary Music Review, 38(1-2), pp. 7-23. (doi: 10.1080/07494467.2019.1578112)

Moreda Rodriguez, E. (2015) Early music in Francoist Spain: Higini Anglès and the exiles. Music and Letters, 96(2), pp. 209-227. (doi: 10.1093/ml/gcv012)

Moreda Rodriguez, E. (2014) La recuperación de la obra de Evaristo Fernández Blanco en la Democracia. Astórica, 33, pp. 117-129.

Moreda Rodriguez, E. (2013) 'How little we know in this country of the music of Spain…': Spanish music in Britain during the First World War. First World War Studies, 4(2), pp. 241-256.

Moreda Rodriguez, E. (2011) Francoism and the republican Eexiles: the case of the composer Julián Bautista (1901–61). Twentieth-Century Music, 8(2), pp. 153-173. (doi: 10.1017/S1478572212000060)

Moreda Rodriguez, E. (2008) Fascist Spain and the axis: music, politics, race and canon. British Postgraduate Musicology, 9,

Moreda Rodriguez, E. (2008) Italian musicians in Francoist Spain, 1939-1945: the perspective of music critics. Music and Politics, 2(1),

Books

Moreda Rodriguez, E. (2021) Inventing the Recording. The Phonograph and National Culture in Spain, 1877-1914. Oxford University Press: New York. ISBN 9780197552063

Moreda Rodriguez, E. (2017) Music Criticism and Music Critics in Early Francoist Spain. Oxford University Press: New York. ISBN 9780190215866 (doi: 10.1093/acprof:oso/9780190215866.001.0001)

Moreda Rodriguez, E. (2015) Music and Exile in Francoist Spain. Ashgate: Farnham. ISBN 9781472450043

Book Sections

Moreda Rodriguez, E. (2011) Federico Sopeña, crítico musical: Los años formativos (1939-1949). In: Los Señores de la Crítica. J. Doble: Seville, Spain, pp. 281-310.

Book Reviews

Moreda Rodriguez, E. (2020) Songs of the Victorians. Review Journal for Digital Editions and Resources, 13, p. 3. (doi: 10.18716/ride.a.13.3)[Book Review]

Moreda Rodriguez, E. (2020) Peripheral visions / global sounds: from Galicia to the world. Journal of Spanish Cultural Studies, 21(3), pp. 435-437. (doi: 10.1080/14636204.2020.1801954)[Book Review]

Moreda Rodriguez, E. (2018) Reseña a El teatro musical español. Revista de Humanidades Digitales, 2, pp. 175-179. (doi: 10.5944/rhd.vol.2.2018.21888)[Book Review]

Moreda Rodriguez, E. (2018) Michael Christoforidis, Manuel de Falla and Visions of Spanish Music London/ New York, Routledge, 2018. Transposition, 7, [Book Review]

Moreda Rodríguez, E. (2018) Brian Jeffery, España de la guerra. The Spanish Political and Military Songs of the War in Spain 1808 to 1814. H-France Review, 18, p. 22. [Book Review]

Moreda Rodriguez, E. (2013) Review of: Adkins, M. and Russ, M. (eds.), The Roberto Gerhard Companion. Journal of Catalan Studies, 16, ix-xi. [Book Review]

Edited Books

Moreda Rodríguez, E. and Stanovic, I. (Eds.) (2023) Early Sound Recordings: Academic Research and Practice. Routledge: Abingdon, Oxon ; New York, NY. ISBN 9781032047515

Roy, E. A. and Moreda Rodríguez, E. (Eds.) (2021) Phonographic Encounters: Mapping Transnational Cultures of Sound, 1890-1945. Routledge: Abingdon, Oxon ; New York, NY. ISBN 9780367439217

Heile, B. , Moreda Rodriguez, E. and Stanley, J. (Eds.) (2017) Higher Education in Music in the Twenty-First Century. Routledge: Abingdon, Oxon ; New York, NY. ISBN 9781472467324

This list was generated on Wed Jul 17 09:52:53 2024 BST.

Grants

AHRC Research Network funding for the project 'Rethinking Early Recordings as Sources of Music and Performance History' (£40,960), 2021-23. Visit the web of the project here.
British Academy-Leverhulme Trust Small Grant for the project 'Recording zarzuela in Spain, 1896-1958: Performance practice, canon(s) and national identity', 2019-20. (£7,547.57)
AHRC Leadership Fellowship for the project 'Early recording cultures in Spain (1877-1905). Towards a transnational history', 2018-9 (£175,689).
Carnegie Trust for the Universities Scotland Research Incentive Grant for the project 'Making sense of Spanish music historiography: Josep Valls and Simon Tapia Colman', 2017 (£4,445).
Carnegie Trust for the Universities of Scotland Small Grant for the project ‘Rodolfo Halffter and the Franco regime - music, exile and collaboration', 2014 (£920).
Carnegie Trust for the Universities of Scotland Small Grant for the project ‘Writing the exiles back into the history of Spanish music: Salvador Bacarisse and Roberto Gerhard’, 2013 (£2440).

In the past I also received smaller grants from the Music & Letters Trust Award, The John Robertson Bequest and The Lilly Library at the University of Indiana.

Supervision

I welcome enquiries from students interested in working on topics that fall within my research expertise:

Early history of recording technologies (incl. their cultural/social history and their use as documents for historical performance practice)
The music of the Franco regime and of the Spanish Republican exile; music and fascism/totalitarianism
Singing, (art) song, vocal performance practice, vocality (particularly in the Middle Ages and at the turn of the 20th century)
Digital mapping; Digital Musicology
The history and practice of music criticism
Music and literature, music and text, hybrid genres of writing about music

Holdsworth Quinn, Ashley
Choral Culture in Early Twentieth Century Scotland: Music, Geopolitics, Community
Kitzman, Daniel Robert
(un)Sung: An Investigation into the Impacts of the COVID-19 Pandemic on Opera Singers’ Artistic Identities and Creativity
Pattie, Ruairidh
Private and Public: Lieder in Clara Schumann’s circle

Additional information

I am currently Head of Music.

I am also the co-editor of the journal Royal Musical Association Research Chronicle

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Clarity

Dr Eva Moreda Rodriguez

Research interests

Research interests

Publications

2024

2023

2022

2021

2020

2019

2018

2017

2016

2015

2014

2013

2012

2011

2008

Articles

Books

Book Sections

Book Reviews

Edited Books

Grants

Supervision

Additional information