Professor Alison Yarrington

Honorary Professorial Research Fellow (School of Culture & Creative Arts)

email: Alison.Yarrington@glasgow.ac.uk

R206 Level 2, History of Art, 8 University Gardens, Glasgow G12 8QH

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Publications

List by: Type | Date

Jump to: 2009 | 2008 | 2007 | 2005 | 2004 | 2003 | 2002 | 2001

Number of items: 15.

2009

Noble, C. and Yarrington, A. (2009) Like a poet's dreams: the redisplay of the 6th Duke of Devonshire's sculpture gallery at Chatsworth. Apollo, 170(570), pp. 46-53.

Yarrington, A. (2009) Turisti britannici a Carrara nella prima metà dell'Ottocento. In: Berresford, S., Biagini, L. and Hufschmidt, T.F. (eds.) "Sognando il Marmo": Cultura e Commercio del Marmo tra Carrara, Gran Bretagna e Impero: 1820-1920 Circa. Pacini: Ospedaletto, Italy, pp. 178-186. ISBN 9788863151671

Yarrington, A. (2009) 'Under Italian skies', the 6th Duke of Devonshire, Canova and the formation of the Sculpture Gallery at Chatsworth House. Journal of Anglo-Italian Studies, 10, pp. 41-62.

2008

Yarrington, A. (2008) National monuments in St Paul's cathedral. In: Bindman, D. (ed.) History of British Art 1600-1870. Tate Britain: London, UK, pp. 49-50. ISBN 9780300116717

Yarrington, A. (2008) 'Made in Italy': sculpture and the staging of national identities at the International Exhibition of 1862. In: Pfister, M. and Hertel, R. (eds.) Performing National Identity: Anglo-Italian Cultural Transactions. Series: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft (114). Rodopi: Amsterdam, The Netherlands, pp. 75-99. ISBN 9789042023147

2007

Yarrington, A. (2007) The poetics of sculpture: pedestal, verse and inscription. In: Gerstein, A. (ed.) Display and Displacement: Sculpture and the Pedestal from Renaissance to Post-Modern. Courtauld Institute of Art Research Forum: London, pp. 73-97. ISBN 9781903470305

2005

Yarrington, A. (2005) Solvitur Ambulando: Lord Leverhulme, Sculpture, Collecting and Display. Visual Culture in Britain, 6(2), pp. 99-124.

Yarrington, A. (2005) Sculptural transubstantiations: reflections upon wax, flesh and stone, blood, bread and bone. In: Burnham, D. and Giaccherini, E. (eds.) The Poetics of Transubstantiation: From Theology to Metaphor. Series: Studies in European Cultural Transition (27). Ashgate: Aldershot, UK, pp. 162-171. ISBN 9780754650263

2004

Yarrington, A. (2004) Popular and Imaginary Pantheons in early nineteenth-century England. In: Wrigley, R. and Craske, M. (eds.) Pantheons : transformations of a monumental idea. Series: Subject/Object: New Studies in Sculpture. Ashgate: Aldershot, pp. 107-122. ISBN 0754608085

2003

Yarrington, A. and Wood, N.P. (2003) Ut sculptura poesis: English romantic poetry and sculptural form. In: Frangenberg, T. (ed.) Poetry on Art: Renaissance to Romanticism. Shaun Tyas: Donington, UK, pp. 215-235. ISBN 9781900289566

2002

Yarrington, A.W. (2002) The three graces and the temple of feminine virtue. Sculpture Journal, 7, pp. 30-43.

2001

Yarrington, A. (2001) Canova. In: Butlin, M., Herrman, L. and Joll, E. (eds.) The Oxford Companion to J.M.W. Turner. Oxford University Press: Oxford, UK, p. 41. ISBN 9780198600251

Yarrington, A. (2001) Chantrey. In: Butlin, M., Herrman, L. and Joll, E. (eds.) The Oxford Companion to J.M.W. Turner. Oxford University Press: Oxford, UK, p. 44. ISBN 9780198600251

Yarrington, A. (2001) Monuments to Turner. In: Butlin, M., Herrman, L. and Joll, E. (eds.) The Oxford Companion to J.M.W. Turner. Oxford University Press: Oxford, UK, p. 190. ISBN 9780198600251

Yarrington, A. W. (2001) Art in the Dark: Viewing and Exhibiting Sculpture at the Royal Academy. In: Solkin, D. (ed.) Art on the line : the Royal Academy exhibitions at Somerset House, 1780-1836. Yale University Press: New Haven; London, 173 -187. ISBN 0-300-09091-9

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