Dr Warwick Edwards

Honorary Senior Research Fellow (School of Culture & Creative Arts)

email: Warwick.Edwards@glasgow.ac.uk

Music, 14 University Gardens, Glasgow, G12 8QH

Publications

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Jump to: 2013 | 2012 | 2011 | 2008 | 2007 | 2006 | 2004 | 2003 | 2001 | 2000 | 1996 | 1993 | 1987 | 1984 | 1981 | 1978 | 1977 | 1974 | 1970

Number of items: 26.

2013

Edwards, W. (2013) Songs without words by Josquin and his contemporaries. In: Gallagher, S. (ed.) Secular Renaissance Music: Forms and Functions. Series: A library of essays on renaissance music. Ashgate, pp. 575-588. ISBN 9780754629467

Edwards, W. (2013) Understanding Fifteenth-century Chansonniers: Review of: J. Alden, Songs, Scribes, and Society: The History and Reception of the Loire Valley Chansonniers. Journal of the Royal Musical Association, 138(1), pp. 187-205. (doi: 10.1080/02690403.2013.771984)[Book Review]

2012

Edwards, W. (2012) Text treatment in motets around 1500: the humanistic fallacy. In: Schmidt-Beste, T. (ed.) The Motet Around 1500: On the Relationship of Imitation and Text Treatment? Brepols: Turnhout, pp. 113-138. ISBN 9782503525662

2011

Edwards, W. (2011) Isaac's pre-Italian songs: an over-optimistic hand-list. In: Fitch, F. and Kiel, J. (eds.) Essays on Renaissance Music in Honour of David Fallows. Boydell & Brewer, pp. 198-206.

Edwards, W. (2011) Word setting in a perfect musical world: the case of Obrecht's motets. Journal of the Alamire Foundation, 3(1), pp. 52-75.

2008

Edwards, W. (2008) The Walsingham consort books [sleeve notes, La Caccia, sound recording, CD].

2007

Edwards, W. (2007) The musical sources. In: Porter, J. (ed.) Defining Strains: The Musical Life of Scots in the Seventeenth Century. Series: Studies in the history and culture of Scotland (2). Peter Lang: Oxford, pp. 47-72. ISBN 9783039109487

2006

Edwards, W. (2006) Agricola's songs without words: the sources and the performing traditions. In: Schwindt, N. (ed.) Alexander Agricola : Musik zwischen Vokalität und Instrumentalismus. Series: Trossinger Jahrbuch für Renaissancemusik (6). Bärenreiter: Kassel, pp. 83-121. ISBN 9783761819937

Edwards, W. (2006) Alexander Agricola and intuitive syllable deployment. Early Music, 34(3), pp. 409-426. (doi: 10.1093/em/cal066)

2004

Edwards, W. (2004) New insights into the chronology of Haydn's folksong arrangements: reading between the lines of the George Thomson correspondence. Haydn-Studien: Haydns Bearbeitungen Schottischer Volkslieder, 8(4), pp. 325-340.

Rycroft, M., Edwards, W. and McCue, K.C.(Eds.) (2004) Volkslied-Bearbeitungen Nr. 269-364: Schottische und Walisische Lieder für George Thomson. [Scholarly Editions]

2003

Edwards, W. (2003) "Laying the lay" and "patterns in play": verbal cognition in Medieval-renaissance song. In: Berger, K., Chalupka, L. and Dunning, A. (eds.) Early Music: Context and Ideas: International Conference in Musicology, Kraków 18-21 September 2003. Institute of Musicology, Jagiellonian University: Kraków, Poland, pp. 354-358. ISBN 9788370991296

2001

Rycroft, M., Edwards, W. and McCue, K.C.(Eds.) (2001) Volkslied-Bearbeitungen Nr. 151-268: Schottische Lieder für George Thomson. [Scholarly Editions]

2000

Edwards, W. (Ed.) (2000) Latin Motets 2 (From Manuscript Sources). Series: The Byrd edition. Stainer & Bell: London. ISBN 9780852493717

Edwards, W. (2000) Burgundian verse sung. Revue Belge de Philologie et d'Histoire, 78(2), pp. 339-358.

Edwards, W. (2000) Chant in Anglo-French Scotland. In: Harper, S. (ed.) Music in the Scottish Church up to 1603: Our Awin Scottis Use. Universities of Glasgow and Aberdeen: Glasgow, pp. 201-224. ISBN 9780852616949

Edwards, W. (2000) Polyphony in thirteenth-century Scotland. In: Harper, S. (ed.) Music in the Scottish Church up to 1603: Our Awin Scottis Use. Universities of Glasgow and Aberdeen: Glasgow, pp. 225-271. ISBN 9780852616949

1996

Edwards, W. (1996) Phrasing in medieval song: perspectives from traditional music. Plainsong and Medieval Music, 5(1), pp. 1-21. (doi: 10.1017/S0961137100001042)

1993

Edwards, W. (1993) Parallel performance traits in medieval and modern traditional Mediterranean song. Revista de Musicología, 16(4), pp. 1979-1987.

1987

Edwards, W. (1987) Text underlay in Marguerite of Austria's chanson album Brussels 228. In: Moens-Haenen, G. (ed.) Muziek Aan Het Hof Van Margaretha Van Oostenrijk. Musica: Peer, Belgium, pp. 33-47. ISBN 9789068530315

1984

Edwards, W. (Ed.) (1984) Latin Motets 1 (From Manuscript Sources). Series: The Byrd edition. Stainer & Bell: London. ISBN 9780852493700

1981

Edwards, W. (1981) Songs without words by Josquin and his contemporaries. In: Fenlon, I. (ed.) Music in Medieval and Early Modern Europe: Patronage, Sources, and Texts. Cambridge University Press: Cambridge, UK, pp. 79-92. ISBN 9780521233286

1978

Edwards, W. (1978) The instrumental music of Henry VIII's manuscript. Consort, 34, pp. 274-282.

1977

Edwards, W. (Ed.) (1977) Music for Mixed Consort. Series: Musica Britannica. Stainer and Bell: London. ISBN 9780852494363

1974

Edwards, W. (1974) The Walsingham consort books. Music and Letters, 55(2), pp. 209-214. (doi: 10.1093/ml/LV.2.209)

1970

Edwards, W. (1970) The performance of ensemble music in Elizabethan England. Proceedings of the Royal Musical Association, 97(1), pp. 113-123. (doi: 10.1093/jrma/97.1.113)

This list was generated on Wed Dec 25 17:28:29 2024 GMT.

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