Screen

Volume 44

Volume 44, number 4 (Winter 2003)

JODI BROOKS: Ghosting the machine: the sounds of tap and the sounds of film
JAMES TWEEDIE: The suspended spectacle of history: the tableau vivant in Derek Jarman's Caravaggio
ANIKO BODROGHKOZY: Good times in race relations? CBS's Good Times and the legacy of civil rights in 1970s prime-time television
JAMIE SEXTON: 'Televerite' hits Britain: documentary, drama and the growth of 16mm filmmaking in British television

report
KRISS RAVETTO-BIAGIOLI: Laughing into an abyss: cinema and Balkanization

reviews
CHRIS BERRY: Laikwan Pang, Building a New China in Cinema: the Chinese Left-Wing Cinema Movement, 1932-1937; Dai Jinhua, Cinema and Desire: Feminist Marxism and Cultural Politics in the Work of Dai Jinhua HOWARD FINN: Jean Mitry, The Aesthetics and Psychology of the Cinema IRIS KLEINECKE: Robert Giddings and Keith Selby, The Classic Serial on Television and Radio; Sarah Cardwell, Adaptation Revisited: Television and the Classic Serial

Volume 44, Issue 3 (Autumn 2003)

JACKIE STACEY She is not herself: the deviant relations of Alien Resurrection
LAURA PODALSKY Affecting legacies: historical memory and contemporary structures of feeling in Madagascar and Amores perrros
IAN GOODE A pattern of inheritances: Alan Bennett, heritage and British film and television
JON BURROWS Girls on film: the musical matrices of film stardom in early British cinema
Reports
MURRAY WESTON British Universities Film & Video Council: a twenty-year report
DOLORES TIERNEY The 24th International New Latin American Film Festival
Reviews
LAURA U. MARKS Giuliana Bruno, Atlas of Emotion: Journeys in Art, Architecture and Film
ALASTAIR PHILLIPS Hamid Naficy, An Accented Cinema: Exilic and Diasporic Filmmaking
C. PAUL SELLORS David N. Rodowick,Reading the Figural, or Philosophy after the New Media
BELÉN VIDAL Andrew Higson, English Heritage, English Cinema: Costume Drama since 1980

Vol. 44, no. 2 (Summer 2003)

CHARLES R. ACLAND: Haunted places: Montréal's Rue Ste Catherine and its cinema spaces
CELESTINO DELEYTO: Between friends: love and friendship in contemporary Hollywood romantic comedy
NING MA: Signs of angst and hope: history and melodrama in the Chinese fifth-generation cinema
ALASTAIR PHILLIPS: Pictures of the past in the present: modernity, femininity and stardom in the postwar films of Ozu Yasujirodossier
MIKE HAMMOND: Laughter during wartime: comedy and the language of trauma in British cinema regulation 1917
DANIEL HUMPHREY: Authorship, history and the dialectic of trauma: Derek Jarman's The Last of England
KAREN RANDELL: Masking the horror of trauma: the hysterical body of Lon Chaney
PETER THOMAS: Victimage and violence: Memento and trauma theory
report
ADRIAN HORN: Imagination: Visual Culture and Identity in Britain since the 1940s
reviews
CATHERINE FOWLER: Dimitris Eleftheriotis, Popular Cinemas of Europe - Texts, Contexts and Frameworks.
JOHN FULLERTON: Pearl Bowser, Jane Gaines, and Charles Musser (eds), Oscar Micheaux and His Circle: African-American Filmmaking and Race Cinema of the Silent Era; Pearl Bowser and Louise Spence, Writing Himself into History: Oscar Micheaux, His Silent Films, and His Audience; Jane M. Gaines, Fire and Desire: Mixed-Race Movies in the Silent Era.
JAMES LYONS: Gregory A. Waller (ed.), Moviegoing in America: a Sourcebook in the History of Film Exhibition; Toby Miller, Nitin Govil, John McMurria and Richard Maxwell, Global Hollywood.

Vol. 44, no. 1 (Spring 2003)

ALISON GRIFFITHS: 'Shivers down your spine': panoramas and the origins of the cinematic reenactment
SHOHINI CHAUDHURI and HOWARD FINN: The open image: poetic realism and the New Iranian Cinema
CATHERINE LUPTON: Terminal replay: Resnais revisited in Chris Marker's Level Five
LAURA RASCAROLI: New voyages to Italy: postmodern travellers and the Italian road film
dossier
Documentary aesthetics
JOHN CORNER: Television, documentary and the category of the aesthetic
KAREN LURY: Closeup: documentary aesthetics
IAN GOODE: Value and television aesthetics
report
JANET THUMIM: 'Trading Culture': a conference exploring the 'indigenous' and the 'exportable' in film and television culture
reviews
AZADEH SALJOOGHI: Hamid Dabashi, Close Up: Iranian Cinema Past, Present, Future
KRISTIAN MOEN: Christopher E. Gittings, Canadian National Cinema
SHANTI KUMAR: Purnima Mankekar, Screening Culture, Viewing Politics: an Ethnography of Television, Womanhood, and Nation in Postcolonial India; Arvind Rajagopal, Politics After Television: Hindu Nationalism and the Reshaping of the Public in India
MARK JANCOVICH: Greg Taylor, Artists in the Audience: Cults, Camp, and American Film Criticism