Volume 42
Volume 42
Volume 42, number 1 (2001)
See Kam Tan: Chinese diasporic imaginations in Hong Kong films: sinicist belligerence and melancholia
Carol Vernallis: The kindest cut: functions and meanings of music video editing
Martin Stollery: Masculinities, generations, and cultural transformation in contemporary Tunisian cinema
Lee Grieveson: 'A kind of recreative school for the whole family': making cinema respectable, 1907-09
Andrea Noble: If looks could kill: image wars in María Candelaria
reports and debates
The Boys Don't Cry debate:
Michele Aaron: Pass/fail
Julianne Pidduck: Distortions of allegiance
Tytti Soila: Screen Studies Conference 2000
reviews
Patrice Petro: Tom Gunning, The Films of Fritz Lang: Allegories of Vision and Modernity
Chris Wagstaff: Francesco Casetti, Theories of Cinema, 1945-1995
Volume 42, number 2 (2001)
Nadine Wills: '110 per cent woman': the crotch shot in the Hollywood musical
Jon Stratton: Not really white - again: performing Jewish difference in Hollywood films since the 1980s
Susan Holmes: 'As they really are, and in close-up': film stars on 1950s British television
reports and debates
Special debate: Trauma and Screen Studies
Susannah Radstone: Trauma and Screen Studies: opening the debate
Thomas Elsaesser: Postmodernism as mourning work
E. Ann Kaplan: Melodrama, cinema and trauma
Maureen Turim: The trauma of history: flashbacks upon flashbacks
Janet Walker: Trauma cinema: false memories and true experience
Boys Don't Cry debate:
Patricia White: Girls still cry
Warren Buckland: A reply to Sellors's 'mindless' approach to possible worlds
Paul Grainge: Defining Cult Movies: the Cultural Politics of Oppositional Taste
reviews
Chrsitopher Williams: Toby Miller and Robert Stam (eds), A Companion to Film Theory; Robert Stam and Toby Miller (eds), Film and Theory - an Anthology; Robert Stam, Film Theory - an Introduction
Priya Jaikumar: Ravi Vasudevan (ed.), Making Meaning in Indian Cinema
Volume 42, number 3 (2001)
EMILIE ALTENLOH: A Sociology of the Cinema: the Audience (1914)
First English translation by Kathleen Cross
reports and debates
The Boys Don't Cry debate, continued
JUDITH HALBERSTAM: The transgender gaze in Boys Don't Cry
LISA HENDERSON: The class character of Boys Don't Cry
reviews
ANDREI ROGACHEVSKII: George Faraday, Revolt of the Filmmakers: The Struggle for Artistic Autonomy and the Fall of the Soviet Film Industry
ROY ARMES: Olivier Barlet, African Cinemas: Decolonizing the Gaze
Volume 42, number 4 (2001)
Jeremy Butler : VR in ER: ER's use of e-media
Lisa Parks: As the earth spins: Wide Wide World and early global television
Yomi Braester: Memory at a standstill: street-smart history in Jiang-Wen's In the Heat of the Sun
Jodi Brooks: Worrying the note: mapping time in the gangsta film
reports and debates
Richard Kilborn, Matthew Hibberd and Raymond Boyle: The rise of the docusoap: the case of Vets in Practice
Minty Donald: CADE (Computers in Art and Design Education) 2001, Digital Creativity: Crossing the Border Conference
reviews
John Ellis: John Corner: Critical Ideas in Television Studies; Jason Jacobs: The Intimate Screen: Early British Television Drama
Vincent Porter : Christine Geraghty, British Cinema in the Fifties: Gender, Genre and the 'New Look'
David Martin-Jones: Gregory Flaxman (ed.), The Brain is the Screen: Deleuze and the Philosophy of Cinema
Sara Gwenillian Jones: John Thornton Caldwell (ed.), Electronic Media and Technoculture; Georgette Wang, Jan Servaes and Anura Goonarasekera (eds), The New Communications Landscape: Demystifying Media Globalization; e-britannia: the communications revolution