Dr Peter Black
- Honorary Curator of Prints (Hunterian Museum & Art Gallery Division)
email:
Peter.Black@glasgow.ac.uk
The Hunterian, Level 2, Kelvin Hall, 1445 Argyle Street
Publications
2022
Black, P. (2022) Review of: 'Study heads' (2020). Oud Holland Reviews, [Book Review]
Black, P. and Hermens, E. (2022) A note on Samuel van Hoogstraten’s Christ and the Women of Jerusalem: apprenticeship, practice, influence. In: Spring, M. and Roy, A. (eds.) Rembrandt Now: Technical Practice, Conservation and Research. National Gallery with Archetype Publications, pp. 95-104.
Black, P. (2022) Some memories of Milein Cosman. In: Kaernbach, A. and Schultz, A. (eds.) Milein Cosman: Portraits of Politicians and Artists – Between Exile in London and the New German Republic in Bonn. German Bundestag, Secretariat of the Art Council: Berlin, pp. 8-12.
2019
Black, P. (2019) A Gift to Glasgow from New York: The Phillip A. Bruno Collection. [Exhibitions]
Black, P. (2019) The German Revolution: Expressionist Prints. [Exhibitions]
Black, P. (2019) German art 1900-1926 from the Hunterian. In: Black, P. (ed.) The German Revolution: Expressionist Prints. The Hunterian, University of Glasgow: Glasgow, pp. 10-35. ISBN 9780904254990
Hunterian Art Gallery (University of Glasgow), (2019) A Gift from New York to Glasgow: the Phillip A. Bruno Collection. Hunterian Art Gallery, University of Glasgow: Glasgow. ISBN 9780904254895
2018
Black, P. (2018) Rembrandt: paragon of the etching revival. In: Seifert, C. T. (ed.) Rembrandt: Britain's Discovery of the Master. National Galleries Scotland: Edinburgh, pp. 107-113. ISBN 9781911054191
2017
Black, P. (2017) Quality and quantity: Bute and the collecting of Dutch paintings. In: Blackwell, C. (ed.) Art of Power: Masterpieces from the Bute Collection at Mount Stuart. Prestel: Munich, London and New York, pp. 56-71. ISBN 9783791356631
Blackwell, C. and Black, P. (2017) Art of Power: Masterpieces from the Bute Collection at Mount Stuart. [Exhibitions]
Black, P. (2017) Turner's Rhine Journey. [Exhibitions]
2016
Black, P. and Toreno, E. (2016) Mantegna, Marcantonio and Parmigianino. [Exhibitions]
Grove, L. and Black, P. (2016) Comic Invention. [Exhibitions]
Black, P. (2016) William Hogarth (1697-1764), Hudibras and house decoration. British Art Journal, 17(1), pp. 43-53.
Grove, L. , Nazir, S., Vile, G. K. and Black, P. (2016) Comic Invention: The World's First Comic, Everything Before, After - and Frank Quitely. BHP Comics: Glasgow. ISBN 9781910775035
2015
Black, P. and Jacklin, E. (2015) Bacharach and Burg Stahleck, 1817. Turner Society News(123), pp. 14-15.
Dulau, A. and Black, P. (2015) The Foulis Academy (1754-1776) in Glasgow. William Shipley Group Symposium Drawing: A Pre-eminent Skill, London, England, 27 Mar 2015.
2014
Black, P. (2014) A Rubens trony of Old Man with Curly Beard in Glasgow: the life and afterlife of a head study painting. In: Krempel, L. and Hirschfelder, D. (eds.) Tronies: Das Gesicht in der Frühen Neuzeit. Gebr. Mann Verlag: Berlin. ISBN 9783786126942
Black, P. (2014) Geoffrey Clarke. Print Quarterly, XXXI(1), pp. 81-82. [Book Review]
Black, P. (2014) Milein Cosman and the Art of Drawing. In: Milein Cosman. Kunst Forum Gotha: Gotha, pp. 11-15.
Black, P., Hermens, E. and Howard, H. (2014) After Raphael: the Hunterian Entombment copy examined in the context of copying practices in early 17th-century Rome. In: Hermens, E. (ed.) European Paintings 15th-18th Century: Copying, Replicating and Emulating. Archetype: London, pp. 95-104. ISBN 9781909492066
Black, P. and Hogg, J. (2014) Milein Cosman. [Exhibitions]
Black, P. and Warwick, G. (2014) Picturing Venus in the Renaissance Print. [Exhibitions]
Black, P. and Warwick, G. (2014) Picturing Venus in the Renaissance Print. The Hunterian, University of Glasgow: Glasgow. ISBN 9780992838300
2012
Black, P. and Hermens, E. (2012) Rembrandt and the Passion. [Exhibitions]
Black, P. and Hermens, E. (2012) Rembrandt and the Passion. Prestel: Munich, London and New York. ISBN 9783791347363
2011
Grove, L. and Black, P. (2011) Breaking the Renaissance Code: Emblems and Emblem Books. [Exhibitions]
2010
Black, P. (2010) Dürer and Italy. [Exhibitions]
Black, P. (2010) James Whistler and Etching. In: Exhibition Catalogue: James McNeill Whistler – Grafikk. Oslo, Munch Museum, 9 October 2009 – 3 January 2010. Munch Museum.
2009
Black, P. (2009) Mariette’s collection of etchings by Filippo di Liagno. Print Quarterly, XXVI(4), pp. 346-353.
Black, P. (2009) Edvard Munch: Prints. [Exhibitions]
Black, P. (2009) The appreciation of Munch in Britain. In: Edvard Munch: Prints. Philip Wilson Publishers, pp. 2-18. ISBN 9780856676772
Black, P. (2009) Munch’s woodcuts and their influence on German printmaking. In: Edvard Munch: Prints. Philip Wilson Publishers, pp. 50-78. ISBN 9780856676772
Black, P. and Murray, W. (2009) The Child in the Womb in its Natural Situation, a painted lead sculpture made for the anatomist William Hunter: a question of authenticity. In: Hermens, E. and Fiske, T. (eds.) Art, Conservation and Authenticities: Material, Concept, Context. Archetype Publications. ISBN 9781904982517
Munch, E., Black, P. and Bruteig, M. (2009) Edvard Munch: Prints. Philip Wilson Publishers. ISBN 9780856676772
2008
Black, P. (2008) A Renaissance Master: Prints by Parmigianino. [Exhibitions]
Black, P. (2008) Rubens to Mackintosh: Drawings from the Hunterian Art Gallery. [Exhibitions]
2007
Black, P. (Ed.) (2007) My Highest Pleasure: William Hunter's Art Collections. Paul Holberton: London. ISBN 9781903470312
Black, P. (2007) "My Highest Pleasures": William Hunter's Art Collection. [Exhibitions]
2006
Meacock, J. and Black, P. (2006) 20 Etchings by Rembrandt. [Exhibitions]
2005
Black, P. (2005) A Rubens Drawing for the Hunterian: The Fragment of a Memory Exercise. Journal of the Scottish Society for Art History, 10, pp. 15-21.
2004
Black, P. (2004) J.M.Whistler: works from the Hunterian art gallery. American Art Review, 16(6), pp. 150-157.
Black, P. (2004) James McNeill Whistler: Selected Works from the Hunterian Art Gallery. International Arts & Artists: Washington, D.C., USA. ISBN 9780966285970
2003
Black, P. (2003) Copper into Gold: Whistler and 19th Century Printmaking. Hunterian Art Gallery: Glasgow. ISBN 0-904254-78-X
Black, P. (2003) Copper into Gold: Whistler and 19th-Century Printmaking. [Exhibitions]
2002
Black, P. (2002) Prints by the Carracci. [Exhibitions]
Black, P. (2002) Whistler to Freud. [Exhibitions]
2001
Black, P. (2001) Andrew Geddes, herald of the etching revival. In: Smailes, H. (ed.) Andrew Geddes 1783-1844,' A Man of Pure Taste'. National Gallery of Scotland, Edinburgh, pp. 85-95. ISBN 1903278163
Black, P. (2001) Philip Reeves at 70. [Exhibitions]
Black, P., Hargreaves, K. and Macmillan, D. (2001) Philip Reeves at 70. The Hunterian: Glasgow. ISBN 0904 254 76 3
Black, P. and MacDonald, M. (2001) Whistler and Venice. [Exhibitions]
2000
Black, P. (2000) Goya: Seeing it in Black and White. [Exhibitions]
Black, P. (2000) Nono Reinhold: The Stairs. [Exhibitions]
1998
Black, P. (1998) Geoffrey Clarke. In: Meißner, G. (ed.) Allgemeines Künstlerlexikon: Die Bildenden Künstler aller Zeiten und Völker. Sauer Verlag: Munich, Germany, pp. 404-405. ISBN 9783598227592
1997
Black, P. (1997) Marie-Louise von Motesiczky. In: Gaze, D. (ed.) Dictionary of Women Artists. Fitzroy Dearborn: London, UK, pp. 991-994. ISBN 9781884964213
1994
Black, P. (1994) Geoffrey Clarke: Etchings and Small Sculpture. [Exhibitions]
Black, P. (1994) Geoffrey Clarke - Symbols for Man: Sculpture and Graphic Work 1949-1994. [Exhibitions]
Black, P. (1994) Marie-Louise von Motesiczky. Paintings 1925-1992. [Exhibitions]
Black, P. (1994) Geoffrey Clarke - Symbols for Man: Sculpture and Graphic Work 1949-94. Lund Humphries: London, UK. ISBN 9780853316657
Black, P. (1994) Geoffrey Clarke: Sculpture and Works on Paper. [Exhibitions]
1992
Black, P. and Moorhead, D. (1992) The Prints of Stanley William Hayter: A Complete Catalogue. Phaidon: London, UK. ISBN 9780714880785
1991
Black, P. (1991) Relief printing and the development of Hayter’s colour method. Print Quarterly, VIII(4), pp. 403-417.
1988
Black, P. (1988) Line and colour - Hayter and means of expression. In: Hacker, P.M.S. (ed.) The Renaissance of Gravure: The Art of S.W. Hayter. Oxford University Press: Oxford, UK, pp. 56-65. ISBN 9780199521135
1987
Kingston, A., Gresty, H. and Black, P. (1987) Nan Youngman: paintings, drawings, prints 1924-1986, exhibition organised by Angela Kingston and Hilary Gresty; catalogue compiled by Peter Black. In: Nan Youngman: Paintings, Drawings, Prints 1924-1986. Kettle's Yard: Cambridge. ISBN 9780907074298
Articles
Black, P. (2016) William Hogarth (1697-1764), Hudibras and house decoration. British Art Journal, 17(1), pp. 43-53.
Black, P. and Jacklin, E. (2015) Bacharach and Burg Stahleck, 1817. Turner Society News(123), pp. 14-15.
Black, P. (2009) Mariette’s collection of etchings by Filippo di Liagno. Print Quarterly, XXVI(4), pp. 346-353.
Black, P. (2005) A Rubens Drawing for the Hunterian: The Fragment of a Memory Exercise. Journal of the Scottish Society for Art History, 10, pp. 15-21.
Black, P. (2004) J.M.Whistler: works from the Hunterian art gallery. American Art Review, 16(6), pp. 150-157.
Black, P. (1991) Relief printing and the development of Hayter’s colour method. Print Quarterly, VIII(4), pp. 403-417.
Books
Hunterian Art Gallery (University of Glasgow), (2019) A Gift from New York to Glasgow: the Phillip A. Bruno Collection. Hunterian Art Gallery, University of Glasgow: Glasgow. ISBN 9780904254895
Grove, L. , Nazir, S., Vile, G. K. and Black, P. (2016) Comic Invention: The World's First Comic, Everything Before, After - and Frank Quitely. BHP Comics: Glasgow. ISBN 9781910775035
Black, P. and Warwick, G. (2014) Picturing Venus in the Renaissance Print. The Hunterian, University of Glasgow: Glasgow. ISBN 9780992838300
Black, P. and Hermens, E. (2012) Rembrandt and the Passion. Prestel: Munich, London and New York. ISBN 9783791347363
Munch, E., Black, P. and Bruteig, M. (2009) Edvard Munch: Prints. Philip Wilson Publishers. ISBN 9780856676772
Black, P. (2004) James McNeill Whistler: Selected Works from the Hunterian Art Gallery. International Arts & Artists: Washington, D.C., USA. ISBN 9780966285970
Black, P. (2003) Copper into Gold: Whistler and 19th Century Printmaking. Hunterian Art Gallery: Glasgow. ISBN 0-904254-78-X
Black, P., Hargreaves, K. and Macmillan, D. (2001) Philip Reeves at 70. The Hunterian: Glasgow. ISBN 0904 254 76 3
Black, P. (1994) Geoffrey Clarke - Symbols for Man: Sculpture and Graphic Work 1949-94. Lund Humphries: London, UK. ISBN 9780853316657
Black, P. and Moorhead, D. (1992) The Prints of Stanley William Hayter: A Complete Catalogue. Phaidon: London, UK. ISBN 9780714880785
Book Sections
Black, P. and Hermens, E. (2022) A note on Samuel van Hoogstraten’s Christ and the Women of Jerusalem: apprenticeship, practice, influence. In: Spring, M. and Roy, A. (eds.) Rembrandt Now: Technical Practice, Conservation and Research. National Gallery with Archetype Publications, pp. 95-104.
Black, P. (2022) Some memories of Milein Cosman. In: Kaernbach, A. and Schultz, A. (eds.) Milein Cosman: Portraits of Politicians and Artists – Between Exile in London and the New German Republic in Bonn. German Bundestag, Secretariat of the Art Council: Berlin, pp. 8-12.
Black, P. (2019) German art 1900-1926 from the Hunterian. In: Black, P. (ed.) The German Revolution: Expressionist Prints. The Hunterian, University of Glasgow: Glasgow, pp. 10-35. ISBN 9780904254990
Black, P. (2018) Rembrandt: paragon of the etching revival. In: Seifert, C. T. (ed.) Rembrandt: Britain's Discovery of the Master. National Galleries Scotland: Edinburgh, pp. 107-113. ISBN 9781911054191
Black, P. (2017) Quality and quantity: Bute and the collecting of Dutch paintings. In: Blackwell, C. (ed.) Art of Power: Masterpieces from the Bute Collection at Mount Stuart. Prestel: Munich, London and New York, pp. 56-71. ISBN 9783791356631
Black, P. (2014) A Rubens trony of Old Man with Curly Beard in Glasgow: the life and afterlife of a head study painting. In: Krempel, L. and Hirschfelder, D. (eds.) Tronies: Das Gesicht in der Frühen Neuzeit. Gebr. Mann Verlag: Berlin. ISBN 9783786126942
Black, P. (2014) Milein Cosman and the Art of Drawing. In: Milein Cosman. Kunst Forum Gotha: Gotha, pp. 11-15.
Black, P., Hermens, E. and Howard, H. (2014) After Raphael: the Hunterian Entombment copy examined in the context of copying practices in early 17th-century Rome. In: Hermens, E. (ed.) European Paintings 15th-18th Century: Copying, Replicating and Emulating. Archetype: London, pp. 95-104. ISBN 9781909492066
Black, P. (2010) James Whistler and Etching. In: Exhibition Catalogue: James McNeill Whistler – Grafikk. Oslo, Munch Museum, 9 October 2009 – 3 January 2010. Munch Museum.
Black, P. (2009) The appreciation of Munch in Britain. In: Edvard Munch: Prints. Philip Wilson Publishers, pp. 2-18. ISBN 9780856676772
Black, P. (2009) Munch’s woodcuts and their influence on German printmaking. In: Edvard Munch: Prints. Philip Wilson Publishers, pp. 50-78. ISBN 9780856676772
Black, P. and Murray, W. (2009) The Child in the Womb in its Natural Situation, a painted lead sculpture made for the anatomist William Hunter: a question of authenticity. In: Hermens, E. and Fiske, T. (eds.) Art, Conservation and Authenticities: Material, Concept, Context. Archetype Publications. ISBN 9781904982517
Black, P. (2001) Andrew Geddes, herald of the etching revival. In: Smailes, H. (ed.) Andrew Geddes 1783-1844,' A Man of Pure Taste'. National Gallery of Scotland, Edinburgh, pp. 85-95. ISBN 1903278163
Black, P. (1998) Geoffrey Clarke. In: Meißner, G. (ed.) Allgemeines Künstlerlexikon: Die Bildenden Künstler aller Zeiten und Völker. Sauer Verlag: Munich, Germany, pp. 404-405. ISBN 9783598227592
Black, P. (1997) Marie-Louise von Motesiczky. In: Gaze, D. (ed.) Dictionary of Women Artists. Fitzroy Dearborn: London, UK, pp. 991-994. ISBN 9781884964213
Black, P. (1988) Line and colour - Hayter and means of expression. In: Hacker, P.M.S. (ed.) The Renaissance of Gravure: The Art of S.W. Hayter. Oxford University Press: Oxford, UK, pp. 56-65. ISBN 9780199521135
Kingston, A., Gresty, H. and Black, P. (1987) Nan Youngman: paintings, drawings, prints 1924-1986, exhibition organised by Angela Kingston and Hilary Gresty; catalogue compiled by Peter Black. In: Nan Youngman: Paintings, Drawings, Prints 1924-1986. Kettle's Yard: Cambridge. ISBN 9780907074298
Book Reviews
Black, P. (2022) Review of: 'Study heads' (2020). Oud Holland Reviews, [Book Review]
Black, P. (2014) Geoffrey Clarke. Print Quarterly, XXXI(1), pp. 81-82. [Book Review]
Edited Books
Black, P. (Ed.) (2007) My Highest Pleasure: William Hunter's Art Collections. Paul Holberton: London. ISBN 9781903470312
Conference or Workshop Item
Dulau, A. and Black, P. (2015) The Foulis Academy (1754-1776) in Glasgow. William Shipley Group Symposium Drawing: A Pre-eminent Skill, London, England, 27 Mar 2015.
Exhibitions
Black, P. (2019) A Gift to Glasgow from New York: The Phillip A. Bruno Collection. [Exhibitions]
Black, P. (2019) The German Revolution: Expressionist Prints. [Exhibitions]
Blackwell, C. and Black, P. (2017) Art of Power: Masterpieces from the Bute Collection at Mount Stuart. [Exhibitions]
Black, P. (2017) Turner's Rhine Journey. [Exhibitions]
Black, P. and Toreno, E. (2016) Mantegna, Marcantonio and Parmigianino. [Exhibitions]
Grove, L. and Black, P. (2016) Comic Invention. [Exhibitions]
Black, P. and Hogg, J. (2014) Milein Cosman. [Exhibitions]
Black, P. and Warwick, G. (2014) Picturing Venus in the Renaissance Print. [Exhibitions]
Black, P. and Hermens, E. (2012) Rembrandt and the Passion. [Exhibitions]
Grove, L. and Black, P. (2011) Breaking the Renaissance Code: Emblems and Emblem Books. [Exhibitions]
Black, P. (2010) Dürer and Italy. [Exhibitions]
Black, P. (2009) Edvard Munch: Prints. [Exhibitions]
Black, P. (2008) A Renaissance Master: Prints by Parmigianino. [Exhibitions]
Black, P. (2008) Rubens to Mackintosh: Drawings from the Hunterian Art Gallery. [Exhibitions]
Black, P. (2007) "My Highest Pleasures": William Hunter's Art Collection. [Exhibitions]
Meacock, J. and Black, P. (2006) 20 Etchings by Rembrandt. [Exhibitions]
Black, P. (2003) Copper into Gold: Whistler and 19th-Century Printmaking. [Exhibitions]
Black, P. (2002) Prints by the Carracci. [Exhibitions]
Black, P. (2002) Whistler to Freud. [Exhibitions]
Black, P. (2001) Philip Reeves at 70. [Exhibitions]
Black, P. and MacDonald, M. (2001) Whistler and Venice. [Exhibitions]
Black, P. (2000) Goya: Seeing it in Black and White. [Exhibitions]
Black, P. (2000) Nono Reinhold: The Stairs. [Exhibitions]
Black, P. (1994) Geoffrey Clarke: Etchings and Small Sculpture. [Exhibitions]
Black, P. (1994) Geoffrey Clarke - Symbols for Man: Sculpture and Graphic Work 1949-1994. [Exhibitions]
Black, P. (1994) Marie-Louise von Motesiczky. Paintings 1925-1992. [Exhibitions]
Black, P. (1994) Geoffrey Clarke: Sculpture and Works on Paper. [Exhibitions]